Aloof Ally: Downplayed. When Medea first joined the V7D, she kept to herself. Not in a standoffish way—she wasn’t rude, nor did she carry any air of superiority—but she wasn’t exactly eager to dive into the group’s theatrics either. While the others bantered and cracked jokes, she’d simply take out her flute and start playing, letting the melodies speak for her while the conversation carried on without her. Little by little, Medea’s walls started to come down. At first, it was subtle—small smiles at their antics, a quiet chuckle when someone did something particularly ridiculous. Then came the moments where she’d get caught up in their energy, letting herself be dragged into some harmless mischief. Before she knew it, she wasn’t just an observer anymore—she was part of it. And somewhere along the way, without even realizing it, she stopped thinking of them as just allies or teammates. They became hers. 

''She had been like this at the beginning, content to be part of the group without truly engaging. She didn’t mind the chatter, didn’t mind the laughter. She simply enjoyed it in her own way, through her music.''

Trademark Favorite Food: If there's one thing that really tickles Medea's taste buds, it's the holy duo of creamy cheesecake and bursting-with-flavour blueberry pies!

The Ace: By the time the story begins, Medea has mastered the art of Umbrakinesis, a unique form of darkness manipulation that, on the surface, might seem a little basic. But in reality, it's a ridiculously versatile power. Whether it's conjuring up curse magic, teleporting from one place to another, or summoning shadow tentacles to restrain or grab, Medea can do it all. She can even create darkness wormholes—basically, becoming intangible—to travel across inorganic matters. If she wants, she can use her powers for some pretty mundane stuff, too, like grabbing something from across the room without moving from her spot. That being said Medea isn't exactly a powerhouse when it comes to using her Umbrakinesis offensively. Her shadow manipulation relies a lot on the defense, and when it comes to protecting herself or her allies, it's nearly invincible. Her defensive capabilities are almost limitless, but... If she’s creative enough, Medea can find ways to use her darkness manipulation for more than just keeping people out. Sometimes, she’s able to twist her abilities, bending the rules of her powers to suit her needs—even if it means using them in a more aggressive way than they were originally intended.

Human Popsicle: Exactly one year and one day before the story's events take place, Laurel bound Medea to a tree and sealed her in. This explains why she didn't age during that span, as she was kept in a supernatural state of suspended animation.

Awesomeness by Analysis: Medea's actually not a big fan of close combat and will avoid it as much as she can. She’s closer to a guerrilla fighter, using creative stealth and ambush tactics (something very easy to do with the Umbrakinesis) to stack the odds overwhelmingly in her favor before the fight even starts. The few times she is forced to engage in direct battle, she shows the need to use the victory by attrition technique, which emphasizes the necessity for this approach.

Hates Being Touched: Medea's not really big on physical contact, particularly when it comes to people whom she is not familiar with. Turns out, even in her younger, happier days, she wasn't too keen on being touched by anyone outside of her own family. Her boundary is a choice, not a scart: I define what closeness means. I define who gets access to my body and when.

Medea: “I don’t do hugs.”
Nicoletta: (smiling) “One day I’ll crack that, Medea.”
Medea: “I’m counting on you to fail.”

Too Clever by Half: As Medea navigates the dangerous world of magic and battles against powerful foes, she comes to a critical realization about herself: she can't do it all alone. Despite her extraordinary magical abilities, she must count on her V7D team for backup and cooperation to achieve their goals. This realization marks a significant turning point in her character development, as she learns to let go of her individualistic tendencies and embrace the importance of teamwork and collaboration.

Ambiguously Human: There’s something about Medea’s resilience that doesn’t feel entirely natural: not because she heals fast or has some supernatural resistance to pain, but because she just won’t stop. She takes hits that should shatter bones, injuries that should put someone flat on the ground, and somehow, she keeps moving. Not because the pain isn’t there, but because she refuses to let it slow her down. You can see it, sometimes she winces, sometimes her hands shake or her jaw clenches, but she powers through like she’s decided pain is something she’ll deal with later. Even when she’s bleeding out, limping, barely staying upright, she pushes forward. And when it’s finally over, when the threat is gone, the mission’s done, that’s when her body catches up. That’s when she crumbles.

• It's somewhat confirmed in the Atlantic War that she's a tough nut to crack, but she's definitely not immortal...

There's something inherently horrifying when you come to the realization that the one after you isn't some fantasy monster, but just a mere human. They bleed, they feel pain, and they can be harmed, yet they're so dead set to see your lifeless body that they soldier through the pain to keep tracking you down. No injury, no fracture, no concussion, no matter how severe, can force Medea to give up the chase when she's on the prowl until she feels the job is done. This, in my opinion, is a terror far more bone-chilling than any supernatural monster could ever evoke.

Made of Iron: Again. Medea takes on a ridiculous amount of punishment since joining the V7D. She’s slammed into walls, tossed around like a ragdoll, tumbled down staircases, and been on the receiving end of a brutal mix of punches, kicks, stabbings, and concussions. She’s even been in at least two car crashes, and yeah, she’s been run over at least once— all in a matter of hours. Any normal person would’ve been dead by now, what with all the internal bleeding and broken bones. But somehow, she keeps going, like she’s got a whole different set of rules for survival. 

Yuki opened her mouth to protest, but Medea raised a hand, silencing her. "You’ll follow," she said, voice hardening, her eyes narrowing as they locked onto Yuki and Quincey. "Because that’s what we do. No one gets to question her judgment."

A Year and a Day: Medea slept bound to the tree for a year and a day.

Post-Victory Collapse: This seems to be the routine for her. When things get heated and shit hits the fan, she’s stubborn as fuck. No matter how brutal the fight is or how much her body’s screaming at her to tap out, she refuses to pass out or let herself go under. She’s going to push through, giving everything she’s got until she knows the job’s done—or until one of her V7D teammates steps in to take over. Only then, and I mean only then, will she let herself collapse.

Cunning Linguist: With fluency in Italian and English under her belt. Medea's also in at reading (though not speaking) some Latin, necessary to unlocking the secrets of the Southern Realm. 

Healing Factor: Averted. Prior to being chosen as Seraphim's vessel, Medea never exhibited any signs of supernatural healing. She still has the scars of her haunting four-year ordeal in the Norrington Household, with one eye permanently blinded, a constant reminder of the horrors she endured. Throughout the series, Medea finds herself in need of frequent medical care and healing, whether it's after a brutal confrontation with Ma'at du Cronos, a one-of-a-kind clash against Warren, or a punishing encounter with Freki, the pattern repeats itself. Yet, despite her wounds and the need for conventional nursing and recovery, she is still... something else. Medea possesses an otherworldly ability to withstand pain, surpassing the limits of what an average woman of her small stature and delicate appearance could bear. She is always ready to give the middle finger to her death.

Absolute Xenophobe: Though the term fits, it’s worth noting that Medea’s deep-seated hatred is reserved entirely for the demonkind of Hell and anyone foolish—or desperate—enough to make pacts with them. She sees them as fundamentally incompatible with the Upper World, too alien and dangerous to be left unchecked, and treats their exorcism as pest control.

• That said, her hostility isn’t indiscriminate. In fact, she even draws a line between demons spawned in the Upper World, viewing them not as out of place intruders but more like confused creatures forced into a world they were never meant to understand. In such cases, she’ll go out of her way to relocate them somewhere remote where they can live without posing a threat to anyone.
• But if a person or creature shows even the slightest alliance—magical, spiritual, or ideological—with Hell’s trueborn demons, they’ve effectively marked themselves. Medea (with the V7D right behind her) will hunt them down and beat them within an inch of their lives before forcibly exiling them back to Hell. Since demons are immortal, “killing” them isn’t on the table; but relocation, preferably through violent means, absolutely is.

Accidental Pornomancer: Despite constantly insisting that it's better to avoid romantic relationships while working in the V7D, Medea ironically ends up with the most romantic partners and casual flings throughout the story. Delilah, and Nicoletta have all been involved with her, and even after breaking up with the former, they still remain on good terms with each others. One of the most memorable moments? When Medea had to defuse a situation with three dangerous demonesses who turned out to be succubi. How did she handle it? She gave them exactly what they wanted—and then some. She made sure they were so satisfied that they happily went back to Hell without causing any more trouble. 

• However, this tendency isn’t always a blessing—it's also drawn unwanted attention from Mia and Mariya, who... well, you get the idea. Poor Medea...

Mysterious Middle Initial: Medea C. Norrington. In Under World is finally revealed that the C stands for ''Cassandra".

Claimed by the Supernatural: The unremovable necklace-choker around her neck is a physical manifestation of her bond with Laurel; it appears that Laurel can possess her and communicate through her by using the necklace to protect Medea's essence. No wonder they never merged before, because the first thing Laurel did before stabbing Medea in the chest with Kogeta no Tenshi was to remove the aforementioned necklace.

The Hero: She is a hero who is both ruthless and unscrupulous, yet despite this, she is the most influential character on the side of good and in the overall plot of the story. She follows the commands of her Mistress to carry out executions of common criminals and other supernatural nasties, and because she finds such lowlife wrongdoers repulsive. To be fair, she's actually more of a...

Classical Anti-Hero: At first, Medea came off as distant—cold, even. The kind of person who kept to herself, who only got involved if there was something in it for her. She wasn’t heartless, exactly, but she wasn’t the type to stick her neck out for just anyone. No sob story or desperate plea was enough to sway her unless there was a damn good reason. And, let’s be real—a solid compensation never hurt. When it came to fights, she wasn’t the type to jump in just for the sake of it. If it wasn’t her problem, she kept walking. But there were exceptions. If she crossed paths with something particularly nasty—or worse, an ill-willed Underworld creature—then all bets were off. That’s when people saw the real Medea, the one who didn’t just fight, but eradicated. 

• This is justified when you realize her job was never about protecting humans. She wasn’t a guardian; she was a cleaner. Her role was to keep the Underworld’s worst from spilling into the Upper World. To her, dealing with demons and creatures that had no business roaming free wasn’t heroism—it was pest control. But then things started to shift. Slowly, almost imperceptibly. Nicoletta had a lot to do with that. There was something about her—some unshakable warmth, some stubborn refusal to let Medea keep the world at arm’s length. Bit by bit, that icy detachment cracked. And before Medea even realized it was happening, she wasn’t just doing her job anymore. She was caring.

Twofer Token Minority: Medea, a tan-skinned lesbian woman. 

From Nobody to Nightmare: For most of her life, Medea had kept to herself, tucked away either with her parents in Alexandria or later, for five long years, training in the Norrington Household. No one knew her outside her small circle—she was just a whisper in the dark, an enigma no one bothered to uncover. And that was exactly how she liked it. But then, out of nowhere, Medea resurfaced as the fourth and final member of the V7D. She, among other things, had exorcism as one of her duties, and Medea had a reputation for handling it gruesomely. Rumors started to spread that with the V7D, she’d exorcized more demons than any church in existence—her methods were effective, but terrifying. People would hear about the bodies, the blood, the twisted, half-formed shadows she sent screaming back to the Underworld, and those rumours... probably didn't help her already tarnished reputation back in her hometown.

Wouldn't Hurt a Child: Again, if you want to see her scary side easily, just try endangering kids in her presence. That's a surefire way to light a fuse and set off an explosive reaction.

The Anti-Nihilist: Medea knows there’s no undoing the past. No amount of remorse or good intentions can erase what’s already been done. The weight of her mistakes is something she’ll carry for the rest of her life, and she’s made her peace with that—well, as much peace as one can make with a past like hers. But just because she can’t change what’s behind her doesn’t mean she can’t shape what’s ahead. She understands her place in the V7D. She’s their Demolition Ball. But more than that, she’s someone who’s been down the worst roads and survived them. That means something. It means she can recognize when someone is heading toward the same kind of darkness she once walked, and more importantly, she can stop them before it’s too late.

Quincey: “Medea’s the kind of person who’ll blow a hole through a demon horde with one hand and keep a scared kid safe with the other. She doesn’t think she’s a hero. But she’s the reason Yuki and I still believe we can be fixed.”

World's Most Powerful Mage: By the time her final battle with Freki rolls around, no one needs to say it out loud—it’s already written in every move she makes. Medea has clawed, fought, and bled her way to the absolute peak. She’s not just powerful; she’s terrifyingly, absurdly skilled. She’s gathered, stolen, and mastered the Chthonic Umbrakinesis spells and curses than most mages could even name, let alone use without tearing themselves apart. If during Under Siege, Freki is the World's Strongest Man, Medea might as well be considered the World's Most Powerful Magic User.

• Medea conjured a dome of Umbraward to catch and contain a miniature sun hurled by Anthony. But she didn’t cast it as a simple wall—she shaped it into a massive, spiraling cone of liquid shadow, a reverse vortex designed to pull the blast inward. As the light collided with the structure, it was funneled through a tightening spiral of dimensional folds, each layer bending and refracting the energy further. At the tip of the cone, the magic twisted so violently it inverted, forcing the divine blast to collapse inward. The result: a trembling, radiant orb no bigger than a coin, suspended in midair—contained and neutralized, which Medea plucks from midair.
• During the fight with Freki she activates Black Veil Bride while injured and moving, blending into the flickering shadows of their crumbling arena. Despite Freki’s wolf instincts, awareness, and senses, he loses track of her entirely. Medea was able to not merely camouflage with shadows, she was able to turn into them and use them as wormholes to move around the battlefield.
• During the Siege she finds herself trapped in the middle of a 72-minute magical artillery bombardment, Medea volunteers to stay behind while demanding the V7D to leave and save themselves. Activating Riptide, she's able to weave through collapsing structures, dashing over unstable rubble and diving into blast zones, all while receiving impacts from Pyroclastic bombs, magic shrapnel mortars, sunlight-bore sonic pulses, a column falls on her. She gets up. An electric-spell detonates inches from her skull. Riptide was able to tank all that, leaving the Nero Angelo covered in grime, half deaf, her eyes are bloodshots, her legs are buckling and the cloak smoking... but alive.

''And for the first time in a long time, Freki had to wonder—was he the one trying to keep up?''

I Have You Now, My Pretty: On the receiving end of this. Medea's got the kind of luck that draws in some real fucking freaks, and I'm not talking about the harmless fun weirdos. We're talking about Mia and Nokrea, a human and a demon, who both developed some major crushes/obsessions on Medea... but, of course, they picked the worst timing possible and tried to win her over when she was already Nicoletta's girl. Let's just say, it didn't sit too well with either of them, especially Nokrea. And when it comes to handling rejection, let's just say neither of them handled it gracefully. Mia's on a mission to make Medea's life a living nightmare, and she's doing it in the pettiest ways you can imagine. Nokrea on the other hand, well... she wanted Medea for her, and ''No'' was out of the question.

Conditioned to Accept Horror: Medea has been living with the gloominess of the Underworld and surrounded by the dead for so long, on top of that, the Norrington Household has left her as a sad, lonely woman. She's gotten so used to feeling down in the dumps and so numb to life that she doesn't even realize how long it's been since she's felt true happiness. It takes someone like Yuki to come along and be like, "So, Medea, when was the last time you actually felt happiness?" And that's when the reality hits her like a ton of bricks. She's been in this emotional funk for way too damn long.

“I remember duty. I remember grief. Cold floors. The smell of dried roses in coffin halls. I remember thinking that if I kept walking long enough, maybe I’d eventually arrive at peace. But I don’t remember... joy. Not really.”

Waif-Fu: Subverted. Medea is a soldier, and as the story progresses, she hones her hand-to-hand combat prowess thanks to her training with the V7D. While she may not be as physically strong as her teammates, she more than makes up for it with her resourcefulness. When she can't rely on her Umbrakinesis, she uses her surroundings to her advantage, throwing objects and delivering powerful blows to her opponents. Now, don't get me wrong, when she's up against big, burly opponents who can toss her like a ragdoll, it's not exactly an ideal situation. But Medea's no quitter. She takes those disadvantages and flips them on their head. She turns their size and strength into their biggest weaknesses, using their own weapons and advantages against 'em. It's all about determination and quick thinking, baby, and she always comes out on top.

''Medea is, without doubt, the cherished protagonist of my story, embodying a juxtaposition of the superhuman and virtuous, interwoven with elements of the subhuman, whilst concurrently harboring a shadowy and vengeful facet within her being. Whether she's seeking retribution for a legitimate injustice or acting out of her own selfish motivations, it's always a sight to behold when she unleashes her full supernatural wrath. There's a fine balance between her human desires and her primal, otherworldly nature that makes her all the more compelling to me. From the very start, she's presented almost like a mythical figure, feared by all who dwell in the Underworld and respected even by those who oppose her.''

Suppresed Rage: Medea’s got this aloof, standoffish nature, keeps people at arm’s length, acts like most things don’t faze her. But at the same time, she’s not cold. She’s got a good heart, and when she does decide to care about something, she cares hard. But the thing about Medea is, the more shit she goes through, the more she bottles up. And with the V7D? It’s a lot of shit. The beatdowns, the trauma, the constant pushing and pulling—it all piles up, and that’s where things get dangerous. Because when someone finally crosses that invisible line, when she’s had enough? That carefully controlled exterior cracks, and what comes out is pure, unfiltered rage. Not the loud, screaming kind—no, it’s worse than that. It’s vicious, like something out of a nightmare.

Nicoletta: “What’s going on behind that wall?”
Medea: (hesitates) “It’s easier to keep the darkness locked away.”
Nicoletta: “But it’s still there.”
Medea: (soft, a hint of pain) “And if it ever breaks free...”
Nicoletta: “I’ll be there. You’re not alone.”

A Shared Suffering: There have been several moments when someone attacked or enraged Medea, and the situation was diffused simply because she recognized that, like her, they were acting out in response to their own pain. 

• One of the more notable instances involved Freki, who launched an attack on her in a blind rage—not his usual style of enjoying the fight like the Tribal Chief he was. This time, there was no thrill of battle in his eyes, only fury and grief. Medea could have easily matched him blow for blow by counterattacking with Cryo and Aerokinesis, but instead, she paused. She remembered that Freki was grieving the recent loss of one of his wives, it clicked. While not allowing herself to be wrecked by a well-placed punch (because let’s be real, one solid hit from Freki would take her out), she chose to remain on the defensive. She blocked, dodged, and deflected but never struck back, her actions gentle enough to show she wasn’t there to fight. Medea didn’t need to overpower him—she needed to be present while he worked through his grief.

Not So Above It All: Despite Medea's status as the dignified and professional killer Nero Angelo, there are a few instances in which she shows she can be just as quirky as her teammates:

• Medea has a bit of an interest for gossip. There have been a few times where she’s been all ears, listening to Yuki’s college stories and loving every second of it.
• It doesn’t happen often enough to be considered a regular thing, but it’s still surprising how sometimes she gets Distracted by the Sexy—usually by her then-girlfriend Delilah, who had this habit of "coincidentally" showing up wherever the V7D were on a mission, just to steal Medea away for a makeout session or some lovemaking. For someone as focused and serious about her job as Medea, it’s definitely surprising that it’s happened more than once.
• Once, Quincey saw Nicoletta whisper something to Medea. He couldn’t catch all of it, but he’s pretty sure he heard the word “handcuffs.” And after the whispering, Medea was blushing. Make of that what you will. 

Power Hair: Inverted. While her position may call for a short, no-nonsense 'do, she's rocking her hair long and wild. It's a look that's as regal as it is intimidating, and it suits her to a T. Who says you can't be a bad bitch while still letting your hair down like a princess?

Fire-Forged Friends: Medea and Quincey's friendship may be a bit like a rollercoaster ride with its ups and downs, but it's a ride they're both willing to take. Despite their fiery personalities, they've found common ground in the fact that Quincey has not only protected Medea like he would any other member of The V7D, but has also been a true-blue friend, even when it comes to her romantic affair with Nico.

Experienced Protagonist: When The V7D found her, she was already a renowned Mistress of the Underworld and a demolition ball against Underworld nasties thanks to her mastery of Umbrakinesis.

Can't Act Perverted Towards a Love Interest: One clear sign that Medea is actually being her real, vulnerable self around Nicoletta is how with her ex-girlfriends, she had no problem using her smooth, direct approach to win them over—she could power bottom her way through any situation without breaking a sweat. But with Nicoletta? Suddenly, even the simplest gesture, like reaching for Nicoletta’s hand, makes her second guess herself, and her face heats up in a way she’s never experienced before.

Delilah: “So let me get this straight...'' 
Medea: ''There's nothing straight about our interactions.''
Delilah: ''Fair. But seriously, you? The fucking Nero Angelo? Are scared to make a move?”
Medea: “Terrified.”
Delilah: (laughing) “That’s so cute I could die. Do you want tips?”
Medea: “Don’t patronize me.”
Delilah: “I used to pin you against walls.”

Womanchild: Nicoletta has seen enough of Medea to know that, on the surface, she’s a woman who’s got her shit together. Confident, composed, and unshakable in her principles. There’s a weight to the way she carries herself, like someone who’s made her choices and will stand by them, no matter what. She speaks with conviction, fights like she has nothing to prove, and holds herself to a standard higher than most. But then there are moments—fleeting, barely-there cracks in the façade—that make Nicoletta wonder if, deep down, Medea is still just a girl who never really got the chance to grow up. Someone who never figured out what she actually wanted before the world forced her onto a path she couldn’t step away from. It’s not immaturity, not by a long shot. It’s something quieter, sadder. Like her life hit pause at some point, and she just kept going out of sheer momentum, never stopping long enough to ask herself what came next.

''And that’s the part that sticks with Nicoletta. Medea's story was the quiet tragedy of a woman who’s spent her whole life moving forward because stopping was never an option. Someone who became what she was meant to be before she ever figured out who she actually wanted to be.''

Psychopathic Womanchild: Type C. She's a grafecul lady with elegant movements, a lady through and through - until you cross her path and push her too far. When she's got a really nasty piece of work in her clutches, she transforms into a cackling psychopath, delighting in the suffering of her prey. It's a side of her that's both unsettling and exhilarating, and one you definitely don't want to see up close and personal.

Loophole Abuse: During her battle with Freki, she effectively “died” a total of seven times as her body repeatedly failed under the sheer strain of the power she wielded. What only the gods noticed, however, was that her true body had been hidden for much of the fight. Instead, she relied on shadow-fabricated replicas. Each time she was about to “die,” Medea would simply abandon a failing body and construct a flawless replacement from shadows. Because her soul remained untouched, none of these instances qualified as true death. She only returned to her real body to cast the Shadow Bloom and following it with a momentum-driven headbutt that ultimately brought Freki down for good.

Lipstick Lesbian: Medea takes a lot of pride in her appearance, especially in her long, meticulously maintained hair. It’s her crown, perfectly complementing the stylish dresses she chooses when she wants to blend in or look like just another face in the crowd. Every movement she makes is smooth and graceful, with a natural elegance that’s only overshadowed by her sheer intensity when facing off against criminals, monsters, or demons. While Medea doesn’t make a point of discussing her sexuality, she’s never shy about it either. She’s openly a lesbian, having had a relationship with a female barista before joining the V7D, and she also had a fairly decent relationship with Delilah, Yuki’s college teacher, for a time. Ultimately, though, she falls in love with Nicoletta.

Knight in Sour Armor: Much like the legendary Greek heroes we read about, Medea carries an air of sorrow that’s always present, yet dignified. It’s as if the weight of everything that happened to her in The Norrington Household, along with the lives she’s taken, has left a deep sadness etched into her. She carries this hidden well of tears within her soul. Even when she’s smiling or being snarky on the outside, that underlying sorrow is always there, lingering beneath the surface. Nicoletta, being the caring and supportive friend she is, always tries her best to lift Medea's spirits or at least bring a smile to her face.

Combat Pragmatist: On her very first day as a V7D member, she wasted no time getting down to business. She hopped in Nicoletta's truck and tried to run over the opponents and the demon, then, due to having her powers temporarily drained out, brought some guns to take down the wolves in "Under Siege''—talk about some firepower! But all that recklessness is probably due to her past training under Warren Norrington. She's used to making calculated decisions and being three steps ahead in the face of danger, and it shows. 

• During her last encounter with Hollow, Medea is still nursing injuries, which limits her combat capabilities. To counter this, she capitalizes on Hollow's rage, allowing Hollow to tire herself out with continuous attacks before seizing the opportunity to strike back when Hollow's stamina wanes.
• She also really likes ambush attacks, being able to get an opponent by surprise gives her a significant advantage. It's her workaround for being small and not nearly as strong as the towering opponents she goes up against.

Badass Driver: Whenever the V7D goes on missions or road trips, you'll most likely find Medea taking the wheel. She has little to no issue weaponizing it.

Shared Family Quirks: Hollow/Eve casually mentions she's aware of Medea's face-blindness, attributing it to a design blip rather than a straightforward medical condition, as Medea assumed. See, Warren had anticipated that granting them perfect vision might lead to something like a photographic memory that could become a serious problem down the line. To avoid this, he designed their eyes to be completely face-blind. So, while Medea has to rely on voices to identify people, Eve uses their smell to recognize them.

Running Gag: If the plot calls for Medea to be taken out of commission during a battle, you can almost guarantee that she'll be blinded by the enemy in some way. Whether it's a blinding flash of light or a sudden assault on her senses, Medea will be left reeling and unable to fight, leaving the rest of The V7D to take up the scene and face the danger head-on.

Color Motif: Medea's character is often portrayed with a dual-colour motif consisting of pink and white. The pink colour is usually associated with her softer and more human side, while the white colour represents her more ethereal and otherworldly qualities. This duality is reflected in her outfits, which are mostly white with pink accents.

Guile Heroine: Big time. Medea defeats the bad guys by outwitting them rather than beating them up. But once the fight is over and the adrenaline’s still surging, if she’s pissed off enough, that’s when she'll let loose and unleash a beating that'll make her opponents wish they'd never crossed her, but all of that is after they're defeated.

When She Smiles: Given the tension and violence that often surrounds Medea, there's something truly refreshing about seeing her drop her guard and flash a genuine smile. You know, the kind that lights up her face and doesn't give you the chills of psycho vibes. And guess who gets to bask in the warmth of that smile more than anyone else? Yep, you guessed it—her cherished V7D peers!

Double Standard: Rape, Female on Female: Yeah, well, this is completely averted when it comes to Medea and the people who wronged her. Neither Mia nor Mariya (both undeniably attractive in the traditional sense) get even a shred of sympathy for what they did. And why the hell should they? Mia took advantage of Medea when she was too intoxicated to consent. Mariya went even lower, making sure Medea was completely out of commission, unable to fight back in any capacity.

• Mia was the only person who managed to push Nicoletta’s normally unwavering good heart straight into the depths of blind rage. That woman, who always had been a protector, who swore only the weak gave in to brutality, snapped. Maybe it was the adrenaline, maybe it was the sheer, unfiltered fury of the moment, but it didn’t matter—because Nicoletta pulled the trigger. And Mia didn’t walk away from it.
• Mariya, on the other hand, got to keep breathing—but she sure as hell didn’t get off easy. Stripped of her succubi wings, exorcized, and cast back into the Underworld like the disgrace she was—dumped into the same pit where Sokar had been sent. A fate worse than death, some might say.

Fashionable Asymmetry: In Medea's signature outfit, she rocks a long-sleeved sailor fuku-ish top. On one sleeve, right in the middle, you'll spot her butterfly logo, an ankh, or any other meaningful symbol that is associated with her. A little emblem of her identity, representing a little who she is and what she stands for. Her other sleeve keeps it clean and simple, with only the pink link with no fancy icons or emblems. She also has two sidebelts around her right leg only.

Likes Older Women: All of Medea's girlfriends on screen have been older than her. Nicoletta is at least 3 years older, while Delilah is 8 years older. This is, ironically, something she shares with Anthony.

Celebrity Crush: She admitted to Nicoletta that she'd go back in time just to sleep with Cleopatra.

Paradox Person: Laurel drops a bombshell on Medea, revealing a shocking truth that shatters everything she thought she knew about herself. Medea learns that she is not just unique, but literally one-of-a-kind. Laurel discloses to her that she has scoured multiple realities in search of answers to their concerns, but to no avail. In the end, Laurel discovers that Medea only truly exists in their reality, and that her existence is not a mere coincidence, but a purposeful creation. 

• In every other dimension she visited in her dreams, Warren was either stopped just before completing The 7th Attempt or never even considered trying it in the first place. This leaves Medea effectively alone in the Multiverse.

Raging Wolverine: Believe it or not, and it might sound strange, but Medea actually has a few things in common with a wolverine:

• Despite the aforementioned animal's modest size of just three feet or so, hardly impressive in the animal hierarchy, they remain one of the most dangerous creatures. Meanwhile, Medea, standing at 5'4", isn't exactly imposing either, but she's feared as the most notorious dark magician in the entire story. 
• Wolverines have been seen bullying an entire pack of wolves and stealing their food, and there have even been documented cases of them fighting off bears. Considering her main archenemy is a wolf...
• Like them little fella, she's stubborn as fuck, once sets her sights on something, she rarely gives up. She is known for her persistence in pursuing a target or defending herself, often fighting fiercely until the threat is neutralized. 
• Medea has proven to be resistant to Anthony's madness-inducing snake-like venom. Much like honey badgers, who are resistant to snake venom, helping them in their snake-hunting endeavors.
• For an animal with their small stature, honey badgers live remarkably long lives. Similarly, while Medea isn't immortal, she ages slowly; nearing 70, she looks like she's in her early 50s at best.
• Honey badgers don't really "forgive" attacks easily — if you threaten one and it survives, it might come back later to finish the job. Medea's the type who, once wronged, never fully forgets. She might be able to act polite, but deep inside she keeps score. She remembers betrayals and slights longer than most people would.
• Wolverines are also somewhat cute to look at when non-aggresive, similar to Medea when she's off duty, she's actually quite calm and chill, if a little standoffish. Can't say the same when she goes full Nero Angelo.
• Medea's main rival is Freki du Cronos, a wolf, and his pack. Wolverines are known for harassing and stealing kills from wolf packs.
• Wolverines and badgers are mostly solitary animals, so was Medea after escaping the Norrington Household, spending the next four years as a wandering witch. 

Rapunzel Hair: Her hair is usually about waist-length.

Character Development: The plot of Norrington's Desire centres around the necessary character development of Medea, who starts off as a reckless and destructive force against the underworld's villains but gradually transforms into a true guardian of the people as she embarks on her journey to become the Nero Angelo.

Weak, but Skilled: Medea's small frame and graceful build might make it look like she’s lacking in raw strength, especially when Freki’s forceful shove puts her down to a knee, or when a punch from Mia's unarmored arm, leaves her gasping for air. But don’t let that fool you—she’s not about to play a strength game she can’t win. Instead, Medea’s weapon of choice is a whip, one she crafted herself, which might seem unconventional, but it works for her because it’s all about finesse. Whips are incredibly tricky to use effectively, requiring insane spatial awareness, technique, and practice so you don’t end up tangling yourself up in it. So, rather than charging in head-first with brute force, Medea leans on her dexterity, skills, and a ton of craftiness. She’s not afraid to get dirty—low blows, distractions, and using her opponent’s own momentum against them are her bread and butter. And when all else fails? She has her Umbrakinesis defense to back her up—nearly unbreakable, ready to shield her from any attack.

Soldier vs. Warrior: Medea embodies the precision and discipline of a seasoned Soldier, while Freki exemplifies the ferocity and unyielding nature of a Warrior. While this dynamic can be seen throughout the du Cronos Dynasty and the House of Laurel overall, the embodiment of these roles finds its epitome in the formidable rivalry between Medea and Freki. Medea operates with a methodical approach, displaying brutal pragmatism and excelling as a professional killer who efficiently eliminates her designated targets. On the other hand, Freki, though possessing a touch of sophistication amidst his barbarian king air, embodies the essence of a warrior entirely focused on his own might and the power of his dynasty. He stands ready to crush any who dare challenge him, his raw might escalating as battles rage on, revealing his increasingly unhinged nature.

Medea: "That's the fundamental difference between us, my Tribal Chief. I flourish in this role because it fits seamlessly with the skills and talents I've cultivated. In contrast, you revel in it with sheer delight because it electrifies your very nature, sending an intoxicating rush through your veins."

Chronic Hero Syndrome: By Under Siege, despite her usual snarks about how irritating people are and her cynical tone, she will be the first to stand up for the helpless, proving the massive effect The V7Ds have had on her.

These Hands Have Killed: Medea, back in her teenage days, had a heart-to-heart with Laurel. She spilled her guts, basically. You see, after she took down her very first target, this guy named Hank Pryce, instead of feeling like a badass, she felt a twinge of remorse deep inside. It threw her off. So, Medea starts explaining to Laurel how Pryce had left her with no other choice, but it was clear that she was trying to convince herself that she did what she had to do. Laurel saw through that act. She knew it wasn't just a matter of retelling the events—it was Medea grappling with her own emotions.

• But then, in true Laurel fashion, she doesn’t sugarcoat the rest. She tells Medea that, over time, it’ll change. The guilt, the regret—it’ll eventually fade. She’ll toughen up, just like everyone else who’s walked this path. Laurel’s seen it happen countless times before. “Eventually, you won’t feel it as strongly,” she adds, her tone turning almost clinical. “You’ll grow numb to it.” 

Laurel: "Kid, you have the heart and the guts to handle this harsh but necessary role."

Sailor Fuku: Her main outfit is based on Japanese sailor fukus, especially the upper part.

Sour Outside, Sad Inside: Her horrific past and traumatizing experiences during her four years in the Norrington household are largely responsible for her psychotic and aggressive behaviour. But when she drops that tough act and shows her vulnerable side, it's a whole different story. Deep down, underneath all that brutality, she's just a young lady trying to deal with her own mind. She battles with feelings of being nothing but a tool, and dealing with severe depression, like she's carrying the weight of the world on her shoulders.

Nicoletta: She hides a fragility that breaks my heart. After all, the front of a fortress gives the impression of impenetrability, but a well-placed attack can bring it crumbling down.

Berserk Button: She has a few:

• Traitors. Medea doesn't play games when it comes to loyalty. She expects people to have her back, just like she's got theirs. But the moment someone pulls a Judas and stabs her or someone she respects in the back, it's like a switch flips inside her. She transforms from cool and graceful to a force of pure wrath and vengeance.
• Seeing demons take control of unsuspecting bystanders also gets Medea fired up. It's like a red flag to a raging bull. She can't stand the thought of innocent people being used as pawns by these supernatural jerks.
• Disrespecting firefighters. She may not have the warmest feelings towards cops, but when it comes to those brave men and women who battle the flames, she's got nothing but respect. There's something about firefighters that strikes a chord with Medea. Maybe it's the fact that they risk their lives to save others, just like that one firefighter who pulled her out of a burning building when she was just a kid. That experience left a lasting impression on her, and she's forever grateful.
• ND10 reveals another one, though sadly, this doubles up as Trauma Button: The mention of the name Mariya.

Strong Family Resemblance: Medea is the spitting image of the late Kiara Norrington, according to Warren, Emma, and pretty much everyone else who's met them both. The truth is finally revealed when it's uncovered that Medea actually is the living image of Kiara, as the genetic blueprint for her creation was modelled on the elder Norrington twin.

Never Accepted In Her Hometown: When Medea and The V7D roll back into her hometown, things get... weird. The locals aren’t exactly rolling out the red carpet. Nah, they’re giving her those side-eye glances, suspicion practically dripping from their eyes like a leaky faucet. See, Medea’s got a reputation, and it’s far from spotless. She’s got a rap sheet longer than the line at the DMV—graveyard prowling, tomb robbing, hit-and-run, and God knows what other wild antics. The Local Alexandria authority? Yeah, let’s just say they’re not thrilled about her return.

Quincey: “They remember the rumors more than they remember the girl.”
Medea: “To them, I’m a cautionary tale. ‘Don’t play with shadows or you may find her.’”
Quincey: (shrugs) “Joke’s on them. I like you exactly like this.”
Medea: (dryly) “You’re a poor judge of character.”
Quincey: “I know. I let Yuki sleep in my bed once.”

Affectionate Gesture to the Head: Coupled with Headbutt of Love mentioned above. When sharing a tender moment, whether with The V7D or her kids, she has a tendency to cradle their faces or gently press her forehead to theirs.

Icy Blue Eyes: Medea's eyes exude a sense of coldness and calculation, making it clear that she's not one to be trifled with. Her death glares are just as frigid, capable of sending chills down anyone's spine.

Fluffy Tamer: Although she tends to scare off most living creatures, Medea has close bonds with three companions who take on animalistic behaviour or forms, despite not being actual animals themselves. These are:

• Urizen, Medea's loyal familiar, takes the form of a beautiful butterfly. But Urizen is also a vessel for Medea's memories. Every experience, every triumph and tragedy, is stored within this tiny creature's mind. 
• Amun, a ravenous demonic dog/wolf, sent by Laurel to act as Medea’s guardian and protector—though it’s far from a voluntary arrangement. Amun is essentially enslaved to Medea through the eerie, otherworldly melodies of her flute. Whenever she plays, he’s forced to heed her call, appearing at her side to defend her against any threat. He's a manifestation of Medea's own wrath,a living embodiment of the raw, untamed power she holds within.
  
• Greyback, a tempestuous hurricane taking on the form of a sleek black stallion. When Medea needs to move fast, he’s her go-to, tearing across vast distances with unmatched speed. But Greyback isn’t just a ride; he’s a reflection of Medea’s unstoppable will and relentless resolve.

Sealed Badass In a Can: Next to a large tree, Medea was put to sleep a year and a day by Laurel before the beginning of Norrington's Desire. During this long stretch of time, Anthony took it upon himself to intervene, ensuring that Medea remained nestled in her slumber. To do this, he gave the ancient tree a boost of life, imbuing it with energy that caused its branches to roll and twist in an almost sentient dance, ultimately wrapping around Medea like protective chains. For the entire year, Medea existed in a state of suspended animation, caught between the realms of the living and the dead. This meant she neither aged nor required food or water, essentially frozen in time. Her body was preserved in this eerie, liminal state, with the tree’s branches acting as a protective barrier. Then along came the V7D!

Because You Were Nice to Me: Although Nico played an essential role, Medea doesn't limit herself to befriending her and learns from the other members of her Squad as well. 

Elegant Classical Musician: Medea has always been depicted playing the flute in a melancholy manner. Nicoletta later also teaches her how to play the piano. 

Good Wears White: The main hero of the story and her outfits are usually predominantly white with pink/purple accents.

Don't Create a Martyr: This is one of the reasons why Medea decides not to kill Freki, even after beating him in a fight. You see, even though he's just a mortal, he's like a god to the du Cronos Dynasty he leads. Killing him, especially in front of all his "brothers and sisters," would make him a martyr, and that would mean a never-ending feud with the du Cronos Dynasty, or worse, Anthony would stop fooling around. Medea doesn't want to drag her dear friends into an endless conflict, so even though she could've taken him out and taken his place as Tribal Chief, she chooses to do the right thing: 

''I acknowledge you, Freki du Cronos, as Tribal Chief.''

Morality Pet: When Medea is on the edge of losing control and potentially causing severe damage, their presence is a grounding force. Nicoletta, in particular, plays a key role in helping Medea keep her darker impulses in check. Over time, this support grows into a collective effort from the entire team. Whenever Medea is teetering on the brink of unleashing her full wrath, the V7D’s influence helps her reconnect with her more human side.

Medea: “This could kill me. Or worse.”
Nicoletta: (taking her hand) “Then hold onto me while you do it. Use me as a tether. Remember why you’re doing this.”
Medea: (quietly) “Because it’s the right thing.”
Nicoletta: “No. Because you are the kind of person who makes it the right thing.”

Hero-Worshipper: There are few people in this world that Medea holds in as high regard as the firefighter who saved her life when she was just a little girl. To her, he was more than just a hero; he was a shining example of what it meant to be a true champion of the people, and to be good for good's sake.

Medea: “When his flame’s about to go out… tell me.”
Laurel: “You want to be there?”
Medea: “I want him to know. That I’m not a lost cause. That he made something out of me — even if it took time, even if it’s crooked, messy, and not what he imagined.”

Would Not Shoot a Civilian: Medea takes care to not harm anyone who isn't a threat to her, this is usually exploited by her opponents/targets by dragging a civilian as a human shield. 

Expy: As a symbol of hope and a figure of deliverance, Medea is fashioned after The Man Himself, however instead of the traditional biblical portrayal of Jesus, Medea is modelled after the portrayal of the flawed Messiah in The Last Temptation. See Crystal Dragon Jesus below for some examples.

• She is also somewhat of an expy to Damien Thorn from The Omen. But instead of being groomed to become the Anti Christ and grow up willingly embracing this title, Medea was indeed groomed by Warren to be an anti-christ figure, but she decided to be a Messiah instead. And not just any Messiah.

Musical Assassin: Summons her deadly guardian hellhound with her flute, and plays it when alone just because she likes to.

Foil: Of Anthony du Cronos, unsurprisingly. Medea is a creepy Jerk with a Heart of Gold Messianic Archetype associated with cold darkness but a hero nevertheless. Anthony is an Anti-Villain Satanic Archetype associated with a warm light. Medea smokes regularly and drinks occasionally, Anthony is straight edge. 

• Medea is also a foil to Freki du Cronos, both of them represent a dragon god in the mortal realm, and both of them have a fearsome Red Baron (The Tribal Chief, The Nero Angelo). However while Medea represents the chthonic but lawful good Laurel Nasuka, Freki represents the golden-light but chaotic neutral Anthony du Cronos. Medea was hand-chosen from birth by Laurel but had to earn the right to become her Eye, while Freki is Anthony's firstborn son, and being his Ambassador was kind of his birthright. Medea is a ''normal'' human while Freki is a wolf with dragon heritage. Medea had a relatively normal childhood even though she was a common citizen raised by regular humans, while Freki had a rough childhood even though he was a noble-born.

Hates Small Talk: Mostly at the beginning of the story. When Medea is focused on a mission, friendly conversations and the like are out of the question.

Take Our Word for It: The depths of Medea's past and the atrocities she endured at the hands of Warren in the Norrington Household are so unspeakable that even the reader is kept from seeing the horrors firsthand. The aftermath of this revelation leaves Nicoletta shaken, Yuuki deeply disturbed, and Quincey completely stunned, as they grapple with the weight of the unimaginable suffering that Medea endured.

Good Feels Good: Downplayed. While Medea's preferred method of dealing with criminals is giving them a serious beatdown, she has started to realize that doing good deeds can actually bring her a sense of satisfaction. It's a whole new experience for her when people express gratitude for her saving their lives. It's clear that being thanked for saving lives is something she's not quite used to. In fact, it seems like a totally alien sensation for her.

Loss of Identity: Medea has come unmoored since the events at the Norrington household, drifting without a firm grasp on who she is. Not forgotten—no, she remembers all too well—but lost, as if the identity she once held has slipped through her fingers like water, leaving only the damp echoes of what once was. She does not pretend that "Medea Norrington" is the name the loving couple who raised her once called her. She knows better. She accepts it. But she also knows she no longer wishes to go by that name, because the child they nurtured, the one they held close, the one they loved—That child is gone. What remains of her now is something fractured, scattered, remnants of a person that no longer exists. She is piecing them together, examining the shards, deciding which fragments to keep and which to discard. Who she will become is still uncertain, but she knows one thing for sure—she cannot go back to who she was. That path is closed, sealed off like a door she has neither the key nor the desire to open.

Medea: “Sometimes I hear her voice—the voice of that little girl in Alexandria—laughing in the dark.”
Nicoletta: “What does she say?”
Medea: “That I’m lost. That I abandoned her. That I’m nothing.”
Nicoletta: “You’re not nothing. You’re here. You’re alive. And that’s enough for now.”

Mask of Sanity: Zig-Zagged. Medea's not really putting on a front or pretending to be saner than she is. It's more like there's a switch inside her that flips whenever she shifts between her civilian life and her Nero Angelo persona. When she's in her civilian mode, she's down-to-earth and composed, but when she transitions into Nero Angelo, she taps into a wild, manic energy that’s just as genuine. Her laughter and craziness in one role contrast sharply with her serious and grounded demeanor in the other.

• What’s striking about her is the fact that both sides are undeniably, unapologetically real. There’s no pretense in her steadiness, just as there’s no pretense in her madness. One doesn’t negate the other. They simply coexist, two halves of a whole that make her who she is. And whether she’s the composed wanderer or the laughing storm, she is, at all times, unmistakably Medea.

Brutal Honesty: After spending a solid four years holed up in the Norrington Household, cut off from the rest of the world, Medea can occasionally forget that humans actually have... feelings and stuff. It's not like she's deliberately trying to be cold or heartless, it's just one of those unintentional side effects of her isolation.

• Typically, she holds nothing back when criticizing her children, believing it's all for their own good.

Ms Vice Girl: Even while Medea may be brutal and savage with her opponents, making Freki feel like Nicoletta in contrast, is essentially the only undoubtedly bad quality she possesses; despite this, she is still a righteous and honourable person. In other words, if she ever attacks you gruesomely, you certainly have done something to deserve it.

Wandering Wizard: Medea, after finally breaking free from the suffocating grip of the Norrington Household, had no grand plan, no destination in mind—just the restless urge to keep moving. She let her feet and her Umbrakinesis teleportation guide her, wandering from town to town like a ghost with no home to haunt. She survived by offering her magic to those in need, never asking for more than what she needed to get by. A week’s worth of food, a roof over her head for a few nights, just enough coin to keep her moving forward. That was all. She wasn’t trying to build a new life, just sustain the one she had, free from the chains of her past. Along the way, she listened to stories told by strangers, learning the whispered fears of villages, the superstitions of old towns, the quiet tragedies that no one else bothered to fix. If she came across a demon or a monster in her path, she cut it down without hesitation. It wasn’t heroism. It was just… something to do. 

• And as we know, even when she crossed paths with the V7D, when she finally found people who understood her aimless, restless existence, not much changed—except that, for the first time, she wasn’t doing it alone.

Power Dyes Your Hair: Becoming Seraphim temporarily turns her hair pink.

Sensor Character: Medea can see any chthonic creature with her demon eyes.

Pretty Butterflies: Medea uses butterflies a lot, to gather intelligence, to know secrets, to watch someone from a safe distance. Her familiar, Urizen, is a beautiful butterfly with a wingspan as wide as a rat. While the creature may seem delicate and unassuming, it actually serves a significant role in Medea's life. Urizen acts as a vessel for Medea's memories, allowing her to access and relive moments from her past.

Talented, but Trained: Medea was magically engineered to be a magical prodigy from the start, but she still spent five years training under Warren to sharpen her already impressive skills. By the time Norrington’s Desire begins, she’s spent over a decade refining her strength and mastery, and even now, she’s always looking for ways to push her magic further.

Ax-Crazy:  She's a very subdued and controlled example, but still an example. Medea may come off as calm and laid-back most of the time, and if you catch her on a good day, she might even be nice to you. But when she decides to unleash her wrath, there's an unsettling delight that spreads across her face. It's as if the sight of someone foolishly challenging her becomes an entertaining spectacle for her. When she is in Nero Angelo mode, it's like a dark switch flips within her, transforming her from Medea Norrington, the woman, into Nero Angelo, the walking slaughterhouse.

• What can be a little creepier is how effortlessly Medea can switch from "walking slaughterhouse" mode to "ordinary young woman" mode. After a few moments of silence once the mayhem is over, Medea just... pulls herself together, and her twisted, frenzied, almost psychopathic features return to normal, usually turning into a serene expression that, in a way, is even more unsettling than the psycho face.

You Are Better Than You Think You Are: Nicoletta delivers a not very sweet and delicate example of this trope, but to be honest, it was exactly what she needed to snap Medea back to her senses:

Nicoletta: You... you can't accept the truth, can you? The fact that you may be better than others, that you have the means to do good, and that thought is so overwhelming for you that you self-sabotage. You can't just accept the fact that you want to do good, you want to be good. Who gives a shit if you're not inherently good? Who gives a shit if you're amoral and selfish by nature? What matters is what you actually do, and from what I see, you want to do good, but you've been mind-raping yourself into believing being a professional, remorseless killer is all that is worthwhile about you, to come to terms with all the pain endured behind Warren Norrington's doors. Well, let me remind you of something: those four years of suffering in the Norrington Household don't define you. They don't determine who you are. In fact, I firmly believe that's the moment when the 7th Attempt died, and the only one who left the Norrington Household was Medea fuckin' Norrington, my Nero Angelo!

Number Two: She has taken charge of the squad at moments of emotional turmoil and has reminded Nicoletta of her leadership responsibilities, so solidifying her position as this. This is particularly clear in light of Nicoletta's fight with Valentino.

Commissar Cap: Every now and then, Medea can be seen sporting a custom Gakuran Hat. She insists it was a gift from her adoptive granddad, an Air Force veteran from World War II, but it's unclear if she's telling the truth. She's never seen wearing it at the Norrington Household, and even if she did, it's unlikely Warren would've allowed her to bring anything from her past life there.

Squishy Wizard: If Medea's power level didn’t already give it away, some basic observations would—like how she struggles to carry more than one bag of groceries at a time. She’s not exactly what you’d call physically strong. Her magic does the heavy lifting, and more than anything, she seems to rely on sheer, almost inhuman endurance to get by. She’s even admitted, without a hint of shame, that a well-placed punch from Quincey could easily give her a concussion.

• That being said, she’s not the type to leave a weakness unchecked.  If she can’t muscle her way through a fight, she’ll find another way. Over time, she’s built up a repertoire of defensive spells—not ones that make her any stronger, exactly, but ones that make it damn hard for anyone to land a hit that actually matters. If she can’t overpower someone, she’ll outlast them. If she can’t block an attack, she’ll make sure it barely leaves a scratch. She knows she’ll never be a powerhouse, never win a fight through sheer physical might alone. But what she will do—what she’s always done—is refuse to go down.

Freki: “You don’t strike hard.”
Medea: “No, I make sure you don’t strike at all.”
Freki: “A smart fighter.”
Medea: “A survivor. That’s all that counts.”

Seeker Archetype: As Laurel’s Eyes in the mortal world, Medea is always on the move, exploring different regions, learning about the people, the land, and the magic around her, this is how she found her way to Italy and by extension, met the V7D. She doesn’t go out of her way to hunt demons—she doesn’t have to. Given who she is, they’re instinctively drawn to her. Even the ones trying to steer clear eventually cross her path, like moths to a flame.

Defiant to the End: Sort of averted. As Ma'at du Cronos fell beneath Medea's blade, a thunderous howl echoed through the air, and a group of wolves emerged from the shadows, led by none other than her lifelong foe, Freki du Cronos. Covered in bruises and blood, barely able to stand, Medea stood her ground as she discarded her gloves, bracing herself for what was to come. But to her surprise, Freki appeared only to retrieve his fallen brother's body, offering a rare gesture of acknowledgment and respect. With a reluctant nod of acknowledgment, he and his crew disappeared into the night, allowing Medea a moment to bask in her well-deserved win... before collapsing from sheer exhaustion.

Deconstruction: Medea's "partnership" with the Hellhound Amun, is a deconstruction of the "Becoming the Mask" trope in matters of the supernatural. By summoning him with her flute, Medea has bent Amun’s will, forcing him into the role of her loyal guard dog. In most stories, a bond like this would evolve over time, with the hellhound eventually growing attached to their summoner and even helping them willingly once the spell was broken. But that’s not the case with Amun. He burns with an unrelenting hatred for Medea, making no secret of his desire to tear her apart, limb by limb, and rip out her throat. Even when the spell binding him is broken, his hatred doesn’t fade—instead, it drives him to attack her immediately. Medea is left with no choice but to defend herself, and their final clash ends with Amun’s death.

Pay Evil unto Evil: She's got a strict code when it comes to justice: you do wrong by her, she's gonna do you one better and make sure you regret it. But her dedication to paying evil back with even eviler ends up being her Fatal Flaw (check out the entry on that for more deets). When someone crosses her, there's no stopping her from unleashing a righteous beating that'll leave them begging for mercy - not even the du Cronos Dynasty, who's got a price on her head, can make her think twice.

Casting a Shadow: Medea’s main magical specialty is Umbrakinesis—basically, she’s got complete control over shadows and darkness. She can shape, move, and manipulate them however she wants. Most of the time, though, she uses it for defense or as a way to get around since going on the offensive with it drains her energy faster than she’d like. To make up for that, she’s figured out other ways to hold her own in a fight without relying too heavily on her shadow powers.

Dark Action Girl: Much like her namesake. She isn't just reliant on her Umbrakinesis to beat the daylights out of a target. Sure, her fighting style was a bit rough around the edges, but she showed some major improvements when she went head-to-head with Mia and Freki, who, unwittingly, basically taught her how to polish said rough fighting style. And let me tell you, she's got mad skills in self-defense. She puts that knowledge to use throughout the story, especially when she takes on Warren.

Handicapped Badass: Medea paid a great price for her Umbrakinesis, sacrificing the "light" of her left eye to seal the agreement, resulting in complete blindness of that eye. But that's not all, after the Atlantic War, her right arm was transformed into a dragon claw, rendering it useless for casting spells.

Familiar: She is rarely seen without a butterfly flying around, usually sitting on her hand, shoulders, or head. It was implied that the Butterfly was her familiar, named Urizen. It's later revealed that the butterfly is a vessel for Medea's memories before the Norrington Household.

• Amun the Hellhound and Greyback the Hurricane Demon Steed are more straightforward examples of familiars, both being bound to serve Medea until their contracts are broken with the promise that they could devour her soul if the contract is broken. This doesn't mean Medea is not allowed to fight back, as Amun found out the hard way when his contract was broken.

Meaningful Name: Medea is a sorceress from Greek Mythology.

Meditation Powerup: Through a grueling and harrowing nine-day journey of meditation, she emerged from her trance with a newfound mastery over the darkest and most versatile form of Underworld magic—Umbrakinesis. Hunger and exhaustion were no match for her unbreakable will and determination to unlock the true potential of her abilities.

All-Loving Heroine: She doubts it, insisting she just ''pities'' others but her actions later reveal she's surprisingly accepting and compassionate towards human and non-humans from all walks of life, especially those who are deemed as outcasts.