forum The Pravaci Court - Leave me a critique!
Started by @LittleBear group
tune

people_alt 70 followers

@LittleBear group

This is the scene immediately following the alley scene… sorry if my grammar is off the walls, I have class in like 20 min. As always thanks a bunch y'all and tear it apart! :)

Natiselle –
~Edited~

I did not take a full breath until I reached my chambers. When I finally released my fists and the tension left me, my knees buckled. My heart threatened to beat out of my chest and I could feel the blood draining from my cheeks.

With fumbling fingers, I tugged at the ribbon again and I escaped my skirt. I tried to work myself out of the corset, but it was much too tight. I could not even begin to imagine the terror a lady's maid would have at the sight of me. Gods it was so pretty, the thought of damaging it pained me, but I felt as if it was constricting my very soul. Before I could change my mind, I dragged my blade down my back and felt the soft snap of each cord. It fell away from me and my chest rejoiced. Newly liberated, I made my way to the washroom and began to wash the blood from my hands.

I made the mistake of looking up and immediately I wished that I had kept my head down. The woman who looked back at me had wild eyes and disheveled hair. I turned away from myself and focused singularly on my hands. The vigorous movement shook the porcelain and the water threatened to splash everywhere. Still I scrubbed. I scrubbed until the soap slipped from my grip and in an effort to catch it; I knocked the basin to the ground. It shattered spectacularly and the pink water splashed everywhere. I cursed as I bent down to pick up the shards.

“What happened?” I did not need to lift my head to know that Kraio was standing in the doorway. He came, knelt next to me, and began picking up the shards with his deft fingers.

“Nothing I cannot handle.”

“Should I be worried?” He got up and gingerly placed the pieces on the countertop.

"Your little plaything is going to be terrified for a while," I managed, "but there is nothing I could have done about that."

“What happened?” he asked again.

I spun on him and snapped, “I do not wish to dwell on it, Kraiotan. Leave me be!”
He seemed to truly take me in, a wild mess of raw hands and bloody arms.

“How many?” He already knew.

“Three.”

“What did they do?” His voice was deathly quiet.

"Threatened us." My voice quaked and I could not bear to look at him. My hand flew to my mouth, and I could smell the iron. "They wanted to have their way with us."

He closed the distance between us and enveloped me in his arms. “Oh sister, I am so sorry.” I buried my head in the crook of his shoulder. “I want nothing more than to kill them.” I could feel the tension coursing through him. “But it seems you beat me to it.”

“I did not even know their names.” I hated myself for it but my voice broke. I so desperately wanted to be a harsh and unrelenting wave of wrath. But try as I might, I could not help but think of how I had a family to comfort me. Did they? “Kraio, I just –” I sobbed, “They probably have loved ones – had, had loved ones.”

He took a step away from me and held me at arm’s length. “Nati, listen to me. None of this is your fault.” I could not face him. “Look at me. They put you in a position where your life was threatened. You know this. Your head knows this.” He gently lifted my chin. “They made their choices and you made yours. Thankfully, you came out on top and you will never find me wishing that you had not. Even though you drive me mad, the world is better with you in it.”

All I could do was nod and he pulled me in again, perching his chin on the top of my head. “And because I know you, I know that you are going to beat yourself up over feeling remorse.” I clutched on tighter. “You are human, I would worry if you felt nothing.”

@WriteOutofTime

I LOVE THIS! I really enjoyed the dialogue, the way the tension slowly built, the way she scrubbed at her hands –YES. So good. However, you did have a few grammatical errors:

YOURS: When I finally released my fists and the tension left me, I almost collapsed into an unceremonious heap.

EDIT: When I finally released my fists and the tension left me, I wanted to collapse.

Reason: It interrupted the flow to include so many words for something that didn't happen. You know what I mean? Why say that she "Almost collapsed…" all? I think expressing her desire to collapse would suffice. It's a stylistic choice, so not a necessity.

YOURS: The woman who looked back at me had wild eyes and a wild halo of disheveled hair.

EDIT: The woman who looked back at me had wild eyes and disheveled hair.

Reason: Why include both wild and disheveled for the hair? You say wild twice, and it provides no extra details. Again, stylistic.

YOURS: I tried to work myself out of the corset, but it was much too tight and I could not even began to imagine the terror a lady’s maid would have at the sight of me.

EDIT: I tried to work myself out of the corset, but it was much too tight. I could not even begin to imagine the terror a lady's maid would have at the sight of me.

Reason: Run on sentence, and you used the wrong tense (began).

YOURS: “Your little plaything is going to be terrified for a while,” I managed “But there is nothing I could have done about that.”

EDIT: "Your little plaything is going to be terrified for a while," I managed, "but there is nothing I could have done about that."

Reason: Two commas offset dialogue tags when the dialogue is one sentence.

YOURS: “Threatened us,” my voice quaked and I could not bear to look at him. My hand flew to my mouth, and I could smell the iron, “they wanted to have their way with us.”

EDIT: "Threatened us." My voice quaked and I could not bear to look at him. My hand flew to my mouth, and I could smell the iron. "They wanted to have their way with us."

Reason: No dialogue tags = no commas except in special cases when the action interrupts the words.

Really just nit-picky stuff today. Everything involving Nastille is just amazing. Seriously, great work!! I love Nastille so much, and her relationship with Kraio is really cool. :D

@TryToDoItWrite

AHH! This is a good follow up scene to the alley scene. It fills in the blanks and explains characters even more! Love it!
Same with @writelikeyourerunningoutoftime all i got is grammary/stylistic stuff:
(i've only got two that she didn't mention)
Very first sentence: I do not believe that I took a full breath until I reached my chambers.

my edit: I did not take a full breath until I reached my chambers.
With first person, you don't have to state that she believed it. Of course she believes it, it's her first person POV narrative. imo it's a bit redundant.

Near the end: All I could do was nod and he pulled me in again, infuriatingly perching his chin on the top of my head.

my edit: All I could do was nod and he pulled me in again, perching his chin on the top of my head.

i cut the adjective because it felt choppy and it didn't fit with the mood. it says just a sentence later that she "clutched on tighter." so she was feeling comforted. she wasn't infuriated, thus the adj doesn't make sense there.

But seriously, that's all i've got! It was awesome! Your characters are so cool!

@LittleBear group

OH MY GOD. Thank you so much. It is my pet peeve of all peeves to have the same word in the same paragraph, let alone same sentence. Ugh, I'm horrified.

Okay so here is the thing I am really struggling with. I know for a fact that Natiselle is going to fall in love with Stris. Stris and Kraio look exactly alike except Stris is platinum blond, a slightly more lean build, and is always clean shaven. Natiselle was raised with Kraio like siblings (even though they knew they weren't). Y'all picking up what I'm laying down? Basically I just want it to be VERY clear that there is no incest going around cause, omfg ICK.

So in an effort to combat that I am going to really try to distinguish them alot. Please let me know if they ever start to become the same person, especially because I don't have much experience writing from a guy's perspective.
Kraio -

  • Constantly wants to push her into the river, or a wall. Maybe because she was once again stopped him from getting the girl. Maybe because it would be funny. Maybe she stole his muffin.
  • The guy has a serious love for speed - running, riding horses, chariot racing - the more dangerous the better.
  • The BIGGEST flirt because he literally just wants to be loved. Ugh such a golden retriever. He is willing to find it with anyone, but once he finds that it won't work out - its a respectful goodbye and moving on. But he is so easy to manipulate when it comes to his feelings.
  • Grew up with the whirlwind that is Nati and was raised by Onell (y'all will hear more about her later), so he damn well knows that women are amazing and should be cherished and feared.
  • Generally fine with letting Nati jump ahead first and holding up the rear, he is a lot slower to anger than she is. Also prefers a broad sword to anything else.
  • Likes to read history in his spare time
  • More likely to be more serious than Nati.

Stris -

  • Cares deeply for his father and his one goal is to learn as much from him as possible.
  • He has been pretty sheltered because his father has been so afraid of loosing him. He was only allowed to leave the Pravaci District with a hoard of armed guards. He also has NO idea of what really happened to his mother (the whole dancing, who is she scene)
  • Also likes to read, but he is constantly studying economics, so his guilty pleasure is poetry and adventure.
  • He on the other hand is not really concerned with women. He has always just assumed that his would marry someone for a political alliance. (This does not stop all the noble girls from fawning over him.) It's that familiarity and complete lack of romance that grabs his attention.
  • The only real mother figures he has had have been his teachers.
  • He is not the best when caught off guard, he likes to plan for everything.
  • Deadly with a bow and arrow. Stemming from his father demanding that he be protected, he is much better at long range.
  • He's a social justice warrior just waiting to be woken up.

Also I HAVE NO IDEA HOW THEY ARE GOING TO REACT WHEN THEY FINALLY MEET EACH OTHER AHHHHH. Help?

BUT, the only thing that I can think of is this… ugh

Kraio's book just slipped out of his fingers. He looked down at it and then back at us. He then proceeded to point and gape like a fish. "You are with him?"

"You know that it is rude to point." I shot him a glare. The last thing I wanted to do was have this discussion.

"He is my brother!" He looked like he was about to fall over.

"He is not mine!" We were both yelling now.

"If I - " Stris started.

"Shhh!" Kraio and I both cut him off in unison.

"You are not my sibling either!" Kraio waved his arms about.

"Gross, Kraio. I could never love you." I shouted.

"Oh, that hurts Nati. We look exactly alike! Why do you not love me?" In that moment I knew that he just did not want to lose to me.

"You called me fatty!"

"We were six!" he gasped and I could not help it anymore, I burst into laughter. He sputtered for a moment before rolling his eyes and laughing with me.

"Wait, you love me?" Strisen asked quietly and I felt the blood rush to my cheeks.

"Kraio, I am going to kill you."

@WriteOutofTime

I like the idea of the scene, but you may want to develop it at a slower pace. It kind of seems like you're jumping from line to line without explaining what's going on. Maybe with more context this would work better, but the humor gets a bit lost at some points. I think just adding more –clarity, words, explanation, etc.– would fix this scene.

@TryToDoItWrite

Agreed! it's a good dialog outline! honestly i sometimes go through scenes and write the dialog first then fill in the visuals and pacing that i want

@LittleBear group

~Edited~
Aelina –

How could I have ever thought that the relationship between them had been anything other than sibling rivalry? At the moment, Kraio was glaring at Natiselle as if he was considering the best way to drown her. The vein in his forehead throbbed in the same way that Strisen's did when he was angry.

“How could you?” He growled, finally breaking the silence.

“Give her more credit,” Natiselle scowled. She did not even deign to look at him; instead, she glowered at the terrain map in front of her. “She is more than capable of the mission.”

“Not everyone has the training that you had! You sent her in blind.” He slammed his fists on the table, making all of the little pieces jump.

“No, you are blind. All you see is her pretty curls.” She finally looked up at him. There was an odd look on her face, almost like resignation. “Would you throw it all away for her? She is clouding your judgement!”

“How dare you?” He spat. “You hypocrite–”

“Gods Kraiotan, open your eyes!” She snarled. “Etela is Straivia’s spy! I’m having her tailed at the moment.”

The color drained from his face. “She what?” he breathed.

“Oh, Kraio,” Natiselle said softly. Her eyes lost their steel and she feebly reached out a hand.

“How did you find out?” He stumbled back into his chair. His voice was barely above a whisper, and yet it ripped through me.

“I was suspicious of how many times she has crossed our paths and still she did not greet us as friends.” As she pushed her hand through her hair, I could see it shake. “It could have been over for us that one day in the park. When she was with you, I took the liberty of searching her room. I found stationary on her desk that was much too fine to belong to courtesan, even on of the caliber of Etela.”

Kraio winced and I could almost feel his pain in my chest. “It smelled of cobalt chloride, just like invisible puzzles Erion trained us with. The message was condemning,” Natiselle said.

“What did it say?” He whispered with his head in his hands.

“I – It was, it does not–” Natiselle stammered.

“Natiselle, what did it say?”

She paused, looking for all the world like she regretted ever opening her mouth. “It said to get close to you. You were a target. Kraio, I am sorry.”

He shot up and made a move toward the open air. “I am going to kill her.” There was no life to his voice and somehow this was more terrifying than his outburst.

“You cannot,” Natiselle blurted out. “You must keep up the relationship. She cannot know.”

He stopped in his tracks, one hand on the tent flap. “That is cruel, even for you.” And he left before Natiselle could utter another word.

I could see her rebuttal die in her throat. “Aelina, could you go after him?”

“Me?” I squeaked. I am not proud of it, but after all these months, she still terrified me.

“Yes. He cannot be alone right now,” she breathed. “Please?” The pain in her eyes shone through and my heart broke a little for her.

“Of course,” I nodded and left the commander’s tent.

@WriteOutofTime

Wow, I love the dialogue in this. Poor Kraio! I feel so bad for him. And for Nastille, since she had to be the bearer of such bad news. Okay, clears throat now to critique.

You have the narrator make a lot of pithy descriptions. Some feel a little awkward. I'm not quite sure how to explain it, but stuff like "as if she did not want to be having this fight" and "she looked like she wanted to reach out and hug him" seem quite insightful for first person POV. Make your narrator a little less sure of the innermost thoughts of the people around them.

Now to get nit-picky. "As pushed her hand through her hair, I could see it shake visibly." Could see it shake visibly is redundant. If you can see something, it's visible. Drop the unnecessary adjective.

Another thing you sometimes do is not make it clear who is speaking. For example:

Kraio winced and I could almost feel his pain in my chest. “It smelled of cobalt chloride, just like invisible puzzles Erion trained us with. The message was condemning.”"

It almost seemed like Kraoi was talking, until you cleared it up in the next sentence. I recommend adding a dialogue tag, like "Nastille said" just to clear that up.

Okay! Other than that, really solid segment. Again, dialogue was very interesting. I'm not lying when I say I'd read this entire book. Here's hoping someday you publish it! Lol. Good job :D

@LittleBear group

Hey y'all! So I am currently wiped, but it is my goal to write a little everyday. So, if its not too much to ask… I was wondering if you guys would like to give me little prompts of where you would like to see in the story? Like maybe you are intrigued by a particular character and want to know a little more or want to see a particular character in a certain scenario. No matter how outlandish I will write it! I can't promise that it will end up in the final draft but it will help to shape my characters!

@TryToDoItWrite

A noble goal ;)

I wanna read the scene where Nat and Stris meet for the first time!!

Other random scene prompts:

-Two characters who are obvious rivals are forced to work together
-Have one character accidentally stumble upon some secret plot by either the protags or antags.
-Write the very minor character's background story
-A character breaks something very unique and expensive. Write about their crazy scramble to find a replacement and/or try to fix it.

@Oakiin

Hey LittleBear!
I just got done reading all your stuff, and wow, I really like it so far! :D
I'm not going to critique anything here, but what do you think of starting a thread for us to exchange story bits? (seeing as you have friends helping you here already, and I don't want to invade that :))
Keep up the great writing, I can't wait to see more! :D

@LittleBear group

I am still working on the scene where they meet… it's evading me… Here something a little later down the line.
~Edited
Strisen -

“What are you doing?”

I kept going through the movements just like the weapons master had shown me. “Practicing.”

“You look like you learned from a book,” She chuckled and I could feel my face burn. I looked straight ahead, gritted my teeth, and continued. Nati gasped and clapped her hands; she could read me like a book. “You did! Has no one taught you properly?”

“Nati, I am an incredibly skilled archer –”

“I am sure. You would never catch me even eyeing a bow and arrow. That is a completely different world. However, if you are going to pick up a sword you should do it correctly. Your movements are much too stiff for swordplay.”

“I am doing just fine! If you were not so pretty, I would be mad at you.” I immediately regretted my words. My cheeks were betraying me; I just knew it.

“Oh,” she crooned. “You think I am pretty?” She sang ‘pretty’ as she fluttered her eyelashes. She picked up a sword from the table and swung it around to get a feel for it. They were just practice blades and horribly imbalanced, but it looked like an extension of herself.

“I – I think you are–” She was never going to let me forget this. “I am just going to ignore you.”

“I am impossible to ignore because I am, what was that again? Oh yes, I am pretty,” she teased as she moved towards me. With a deft rap, the steel of her practice sword hit mine and sent vibrations up my arm.

“Come on, Nati,” I groaned. Gods, she was like a kitten playing with a mouse. A deadly kitten.

“Disarm me and I will stop.” She swung her sword around and I knew that there was no possible way that I was going to be able to beat her. But braver men have done more stupid things to impress women.

“Oh I will.”

She disarmed me. Again. And again.

And again.

“Come on then. Beat me.” Nati tucked a stray strand of hair behind her ear and grinned.

Our blades crossed in front of our faces and they caught each other at their cross-guards. A terrible thought came to mind and before my more rational side could stop me, I leaned forward and kissed her. It was fleeting, no more than a few seconds, but – gods. Her lips were so soft and warm.

Startled, she took a step back and her sword faltered. I took the opportunity to twist my sword and my cross-guard caught hers. It fell from her grasp with a clatter. “Ha!” I laughed. It had actually worked!

The moment was short lived. The look on her face was terrifying; she narrowed her eyes and clenched her jaw and she looked like she was considering murder. She marched up to me, it did not matter that I towered over her; it is a miracle that I stood my ground. Our faces were a breath apart. "That was dirty," she hissed as she grabbed my face and kissed me.

@WriteOutofTime

I love this so much!!!!! This is some amazing dialogue! I enjoyed reading it so much. Just a few pointers here and there:

“You look like you learned from a book.” She chuckled and I could feel my face burn. “You did! Has no one taught you properly?”

This could be a bit clearer. It's hard to tell what's going on. I think a sentence in between the second and third sentences would clear it up. Maybe something about how Nastille realized that he truly had been learning from a book, or something about his expression giving it away. I don't know. Whatever the case, it would help to add just a little more.

“I am doing just fine! If you were not so pretty, I would be mad at you.” I immediately regretted my words. My cheeks were betraying me; I just knew it.
“Oh,” she crooned. “You think I am pretty?” She sang the word ‘pretty’ as she fluttered her eyelashes. She picked up a sword from the table and swung it around to get a feel for it. They were just practice blades and horribly imbalanced, but it looked like an extension of herself.
“I – I think you are–” She was never going to let me forget this. “I am just going to ignore you.”
“I am impossible to ignore because I am, what was that again? Oh yes, I am pretty,” she teased as she moved towards me. With a deft rap, she sent vibrations up my arm.

I'm not even critiquing this. I'm just pointing out how good it is. Both characters are a distinct voice and the dialogue is drenched with wit and humor. I like the way the action flows naturally, the way everything feels, just…great. Great job.

“That was dirty,” she hissed, grabbed my face and kissed me.

Bit of an awkward sentence. I think it's a run-on. It should be: "That was dirty," she hissed, grabbing my face and kissing me. OR "That was dirty," she hissed as she grabbed my face and kissed me. OR…etc.

Anyway, this was so, so good. Loved reading it.

@TryToDoItWrite

Oh man! This was awesome!! You get a perfect view of both characters (just like @write said) and it's honestly amazing. They both have their own voice and own movements.
The only thing I could critique that @write didn't is this lil section here was a bit unclear to me:

“I am impossible to ignore because I am, what was that again? Oh yes, I am pretty,” she teased as she moved towards me. With a deft rap, she sent vibrations up my arm.

“Come on, Nati,” I groaned. Gods, she was like a kitten playing with a mouse. A deadly kitten.

It's unclear because the image it gives is unclear. I re read it and got that it was the practice sword hitting him on the arm, but on the first read I didn't. To make it flow a bit easier i'd explain more.

…she moved towards me. She swung the sword and I moved to parry it, but she was too quick. With a deft rap of the hard wooden blade, she sent vibrations up my arm.

But besides that, it was coolio! V. nice!

@LittleBear group

@TryToDoItWrite Here is my answer to your prompt! And omg this was so much harder than I thought it was going to be. I think that this is the general skeleton that I want to use, I still not satisfied with it. Have at it guys :)!

Strisen -

An almighty thunk jarred me out of my thoughts. A muffled yelp and a groan followed soon afterwards – one from the front and one from the back. I fell sideways as the carriage swerved. I almost called out to Jakion, but something held me back. Usually a bump in the night would not warrant any response, but somehow knew that this was cause for concern. The carriage sped up and I could feel every rut in the road.

Trying not to panic, I yanked at the door handle only to find it jammed. Cursing softly, I fumbled under my vest for my knife. My heart beat in my ears and my legs tensed up. I filled my lungs with as much air as possible and then there was another much lighter sound. Three. Three of them. Gods, I wish I had my bow with me.

There was a small clink and I caught the glint of a blade peak through the leather where the canopy latch connected with the roof. I scrambled for the corner and tried to steady my still erratic breathing. The sunroof door swung open and a thin figure dropped down into the carriage, landing with hardly a sound.

I leapt forward and tacked the intruder, pinning him to the ground with my body. My knife was at his throat when we passed by a street lamp and the yellow glow peaked through the curtains. There was no Adam’s apple. They sent a woman to kill me. How could I defend myself from a woman?

“Who are you?” I hissed, “What do you want from me?”

“I am here to save your royal rear end,” she said and I recognized her voice from somewhere. “If you do not mind, I do not care for knifes so close to my throat.” We passed another lamp and its light illuminated her face.
I immediately withdrew from her. “You are the girl from the courthouse!” I could just make out the flash of her teeth in the dimming light.

“Indeed I am, although, you are not Kraiotan.” We went over a particularly large rut and both of us bounced into the air. Our faces were so close that I could detect the fain scent of vanilla and something fresh, not quite like grass but close. Embarrassed, I scrambled off her and was eternally grateful that the darkness was here to hide my burning cheeks.

“H-How did you get here?” I stammered.

“I will answer all of your questions, but first let us deal with your kidnappers.” Again light seeped into the carriage and I could see that her hair was pulled back and she was clad entirely in black. The most astonishing thing, however, was that she was wearing trousers. So many questions flooded my brain. “Two armed men jumped onto your carriage and knocked off the footman and driver. Last I saw, they were both alive.” She got up and took two blades out of sheaths strapped to her thighs. There was also a bullwhip attached to her belt. “Which one do you want?”

I snapped back into reality. “Uh, what?”

“Do you want to take the driver or the footman?” She sounded like she was rolling her eyes. “Or I guess more importantly, how are you with horses?”

“Terrible. I’ll take the footman,” I decided.

She nodded, grabbed the lip of the sunroof, and pulled herself up. Who in the three hells was this woman? I jumped up and had to kick at the air to get myself through the opening. When I finally got up, I peeked down at the footman and found him with his back to me, watching the surroundings with a hand on his sword pommel. I turned to her and she mouthed at me: three, two, one.

I jumped off the roof and landed square in the middle of the thug’s back. With all of the force I could muster, I pushed off of him. With a startled grunt, he tipped forward and tried unsuccessfully to catch air with his arms. His hands managed to connect with the ground first, but his forehead slammed into the cobblestones and he did not get back up. There was groan and a second later, I saw the driver on the ground as we flew past, clutching his arm. It looked dislocated.

The carriage gradually slowed to a stop next to an old limestone building. I jumped off the back and immediately she came to my side and put a hand on my elbow. “Come with me, we can talk on the roof.” We slipped inside and it was like walking into an embrace. An intricate rug covered the floor and a fire roared in the massive fireplace. There were velvet couches scattered about, bookshelves lined all of the walls, and the faint scent of vanilla floated through the air. She guided me up the staircase.

Three floors later, we came to a door and found ourselves on an equally cozy roof. It was clearly meant for entertaining; there was a roaring fire in a pit, chaise lounges scattered about, and a fully stocked drink cart. “Are you going to tell me what in Sivula’s name is going on?” I ran a hand through my hair.

“I would not expect you to curse,” she said as she hovered the drinks. “Can I get you anything?”

“Water. Now stop stalling. How did you get into my carriage? Who were those thugs?” I suppose I should have been more appreciative, but my patience was beginning to wear thin.
She put a glass of cool water into my hand and strode to the roof’s railing. I took a grateful gulp and followed her. She took a sip of red wine as she looked at the street below. The carriage was still there but two footmen were leading the horses out of their harnesses to what I assumed was the stables. “First answer: I jumped. Second –”

“You what?” I cut her off.

“I was walking on the second story roads and I saw those ruffians attack your men. So, I ran and jumped onto your carriage as it passed under a bridge,” she said as if it was a stroll in the park. She took another sip and flicked an undetectable spec off her sleeve.

“Who are you?” I took her in fully now. She had a pretty face, with a small button nose and full lips, just as I had remembered it. But, most stunning of all were her eyes. They reminded me of the Strician Ocean – deep and penetrating, you could get lost in them, just drown in their splendor. I made a conscious effort to look just at her face, even just thinking about her trousers made my ears warm with impropriety.

“Oh,” she shook her head “Where are my manners?” She put her drink on the ((I’m looking for the top flat part of a roof railing, you know like the little wall that keeps you from walking straight off of a roof but still lets you see outside? Not bannisters, (not quite) railing, idk help pls)) and she offered me her hand. “Call me Natiselle.”
How odd. Usually this is where I would bow and kiss her hand, but she was offering it as a man would – with an open palm. I followed her lead, gripped her hand firmly, and we shook as equals. Her hand was unlike any I had ever held. It was tough and covered in callouses. “Strisen.”

Her eyes grew wide as she pulled away and her hand fluttered to her heart. “I remember!” she gasped. “I remember where I have seen you before!”

My heart sank. “We met almost two weeks ago in the court house.” Was I truly that forgettable? “You confused me with someone else.”

Her eyes shone as she swatted my arm with an astonishing familiarity. “No silly, I remember it now! You were getting out of a carriage, and you dropped something.”

There were threads of a memory coming back to me.

A carriage ride.

A nanny.

A cloudy day.

A beam of sunlight.

A little black haired girl who picked up my puzzle box.

As the thoughts came, I began to pace. “That was you? I remember now. Gods, I was what? Six?”

She tucked a stray curl behind her ear.

“You gave this back to me.” I pulled the little box out of my pocket and showed it to her. The panic I felt all those years ago came flooding back, I could almost see it bouncing down the steps and onto the busy sidewalk. “And for that I will always be in your debt. I can see it so clearly. I was going to thank you but the sun was in my eyes and then you were gone.”

“Why would you be in my debt? I just returned it to its’ rightful owner,” she said and I suddenly could not meet her eyes.

I rejoined her at the ledge (again the word?) “My mother had this made for me.” What was I doing? I had not talked about her in years, especially never to a perfect stranger.”

Her voice was so soft, almost a breath. “What happened to her?”

“She died in childbirth.” I tried to sound matter of fact. It was a long time ago. I had never met her, I should not be this affected by her absence.

She put a comforting hand on my arm. “I am sorry.” Her expression was kind but otherwise unreadable.

@TryToDoItWrite

First of all, DANG GuRL those are good drawings! The coloring is especially impressive :)

I loved the scene! It was a perfect fantasy meet-cute for two characters–a highspeed action scene into a more intimate setting. Loved it.

I honestly got nothing. The only, very very nitpicky thing is the paragraph change thing again.

As the thoughts came, I began to pace. “That was you? I remember now. Gods, I was what? Six?” She tucked a stray curl behind her ear. “You gave this back to me.” I pulled the little box out of my pocket and showed it to her.

becomes

As the thoughts came, I began to pace. “That was you? I remember now. Gods, I was what? Six?”
She tucked a stray curl behind her ear.
“You gave this back to me.” I pulled the little box out of my pocket and showed it to her.

its not that huge of a deal but when talking about them separately, you need separate paragraphs. Easier to read.

Anyways, that was the only thing! It was awesome! Keep it up, I love these characters. (sorry i was so late getting to this)

@LittleBear group

@TryToDoItWrite Thanks so much :) If y'all ever want me to doodle something quick for y'all let me know! (Literally its the only way I can stay awake in some of my lectures). And no worries! Its hectic for all of us as the semester draws to a close, school comes first!

@Lupout

This is a beautiful story and I honestly just get so sucked into reading it that it's hard to critique!

@WriteOutofTime

I am so sorry!! My brain convinced me I'd already critiqued it. Here you go, and sorry it's late!

First off, the drawing!!! So good! They're all like I imagined them, especially Nastille. As for the section, I'm going to have to get kind of nitpicky because the story is very cohesive and I enjoyed it a lot.

Original: Usually a bump in the night would not warrant any response, but somehow knew that this was cause for concern.

EDIT: Usually a bump in the night would not warrant any response from me, but somehow I knew that this was a cause for concern.

Original: I filled my lungs with as much air as possible and then there was another much lighter sound. Three. Three of them. Gods, I wish I had my bow with me.

I'm not quite sure how to edit this bit because it's so vague. I'm not sure how "I filled my lungs with…air" goes along with "and then there was a much lighter sound." I'd separate those two thoughts if I were you, or cut the detail about air altogether. I'm also not sure how he came to the conclusion that there were three of them. Maybe clarify just a little.

Original: Our faces were so close that I could detect the fain scent of vanilla and something fresh, not quite like grass but close. Embarrassed, I scrambled off her and was eternally grateful that the darkness was here to hide my burning cheeks.

Can I just say that I love this trope, especially when it's done well? It's a cliché, but a good cliché. I know, I know, that's not a critique. I just had to say it. Lol.

"((I’m looking for the top flat part of a roof railing, you know like the little wall that keeps you from walking straight off of a roof but still lets you see outside? Not bannisters, (not quite) railing, idk help pls)) "

I thought it was a chase, but that's part of a fireplace. I'm as lost as you are…

Okay, that's all. Sorry if this critique is more disjointed than usual. I feel like it's getting harder and harder to critique, which is definitely a good thing. Sometimes I get so lost in the narrative I forget it's not a published book that I'm reading just for fun. Great job!!