forum Offering Feedback (5/5 - CLOSED for now, check back later)
Started by @Riorlyne pets
tune

people_alt 58 followers

Kellsey

Hello, if you're still open, could you please look at one of my prologues? This is more of a first draft than anything, as it's a rewrite. I see some issues, but I'd like a second opinion. Thank you so much!

On a calm drizzly evening, Imdeli stood on the branches of a sedalen tree, collecting the sweet, blue nuts from its swinging bundles. The pouch at her waist was almost full, and she resigned herself to stop after this last bunch.
“Imdeli!” a sweet voice carried up to where she was. A glance down revealed a young, blue haired girl, no older than seven. “Shasha says if you can get akala too.” Imdeli made a face.
“But that mean I have to go into the swamps,” she groaned, “and I don’t have my muck shoes. Can you tell her that, Silemi?”
“I have your shoes!” Silemi struggled to hold up a pair of boots nearly her own size. Imdeli sighed, stuffed a last handful of nuts in her bag, and descended from the tree.
“Okay, but tell Shasha it’ll take a me a bit to gather them.” she lifted the bag from her waist and settled it around her sister’s midsection. She tottered a bit from the weight, then stabilized, “Take these to her, but save some for me. I want to make some paint. Okay?” Silemi smiled widely.
“Okay.” Silemi ran off on her small, booted legs. As Imdeli watched, the little girl slipped in the mud briefly, righted herself, and kept on going. It was only once she saw her disappear past the tree line that she reluctantly put on her boots.
Normally, Imdeli loved going into the swamps. She was number one in her class at mud hopping, a childish game in which they’d try their hardest to hop through the swamps without getting covered in muck. At this time though, with the light waning and no one to cheer her on, she didn’t much feel like going into the mud.
That sentiment was magnified tenfold when, as soon as she stepped in, her boot sunk four inches and stuck. It wasn’t uncommon to lose a shoe or five in the swamps, but she really didn’t need this now. All she wanted was to go home and paint. After a minute of pulling and straining, she gave up and, with a furtive glance around, began to float in the air.
Her small feet slipped from her shoes as she rose and, ever so slowly and with a lot of effort, rotated until her head faced the dirty water below. She hoped desperately he could hold on to the power she’d yet to understand, as she had many times before; she didn’t want to plunge headfirst into the swamps. Her whole body tensed in effort, she glided gently across the surface, looking for telltale light yellow blob that would point to the tuber she was looking for. Akala tubers were difficult to find for untrained eyes, as their leaves were just as brown as the water they floated in. But after some time and silent focus, she’d managed to pull four of the rather large vegetables from the water and tucked them into her jacket. Physically and mentally exhausted at this point from the use of her power, she moved back to the shore even slower than she’d moved away from it. She was almost there, oh so close, when a resounding boom disturbed her concentration, sending her into the swampy water.
She emerged with a desperate gasp, gagging at the sulfuric smell plugged in her nose and mouth. Blinded by muck, she crawled her way out and lay on the shore. There came another boom, and she looked up in alarm-turned-terror at the orange halo above the treeline.
“Fire,” she whispered, “Fire!” she got to her feet and ran, wondering what had happened, worried for her home.
Flames as high as Salakna above, heat rivalling that of her mother’s oven. This is what she came across when she emerged from the trees, swamp waste trailing behind her. Dark figures moved within the fires that consumed her village, releasing screams and wails so horrible she felt the need to plug her ears. She stood there in horror, drinking it in, before a strange sight snapped her out of it.
One of the figures, large and menacing, approached another on the ground. The crawling figure held up hand in appeal when - oh god - the larger one lifted a spear and ran it through them. The speared figure jerked, it’s mouth opened in a scream that only joined so many others. Imdeli herself screamed, but couldn’t hear it over the cacophony. And then time seemed to freeze.
What was going on?
Who were these people?
Where was her family?
The swamps!
The swamps, being what they were, would catch in a second, and burn for months to come. Torn between duty to her village and worry for her family, she finally turned away from the direction of her home and set toward the emergency shacks along the entry to the swamplands. As quickly as she could, hoping others would come soon to relieve her of this job that was really too much for her, she grabbed their fire repellants and set to work lining them up against the fire. They consisted of long netted socks filled with fibers soaked in juices from the linala plant. She stacked them as much as she could, even with all the chaos going on around her. She was busy tying two sections together when a scream shattered her intense focus, and something heavy thumped into her back, sending her flying onto her stomach and into the fibers.
“Get away!” a voice screamed in terror before trailing off into a wet gurgle. Such an awful sound. Imdeli rose on her elbows and knees.
“What the-” Rough hands grabbed the back of her shirt, dragging her up and down onto her butt.
The man she looked at was not one she’d ever seen before in her small village. Large, barrel chested in the way her people weren’t. His golden eyes held square pupils unlike any she’d ever seen, and a cruel frown slashed across his face like a scar. Worst of all, his bald head, glistening with sweat, was devoid of her people’s horns. He was not one of them.
“You are coming with me.” he commanded, bringing her in closely. Her scream was cut off with a knock of his meaty hand, leaving her vision blurry as he dragged her closer to the village square. She struggled against his grip, fighting him all the way, before suddenly grabbing one of the Akala still secured in her jacket and mashing the thick end against his hand. They weren’t very dense or heavy, but still it came as a surprise, and the man let go. He reached for her again, but she pelted him with her remaining roots and scrambled away.
There was so much fire, and it was so hot. The screams, the pain in her cheek, they were all so much. She wanted her mom, her father, needed them. Where were they? Where was her sister? She crawled on her stomach in the direction of somewhere, anywhere safe, when a heavy boot stomped into her back and she groaned. So much agony! She didn’t want to do this anymore. She didn’t want to be here. With as much energy as she could muster, she dragged herself into a drainage ditch and curled into a ball. No one saw her as they ran by, no one called her name. No one disturbed her as the shock finally took over and she stilled, eyes fixed to the stone in front of her. As the end came falling all around her, Imdeli became blind to the world.

@LittleBear group

If you are not too bogged down, would you take a look at these two scenes? This is the third draft for both. A little extra background, Natiselle is the adopted daughter of Erion ((my character who was whipped)). Aelina is a girl from court that is jealous of her relationship with a high lord, Strisen. Strisen is unaware that he has a long lost twin, Kraiotan, who happens to be Natiselle's adopted brother. Yeah, I know… a little confusing. I want to make sure the fight scene has enough tension in it without being over the top, as well as ensuring Nati doesn't come across as an emotionless machine.

Aelina

Her dark curls shone even here in the dim lamplight of the outer district. It baffled me how even now her features could be this stunning and it somehow justified my plan. No one could be that perfect–suspiciously perfect. We rounded the corner and the street, now little more than a rocky alley way took a turn for the worse. Grime crept down the brick walls of buildings and debris littered the ground. In the distance I could hear the yowls of fighting cats and screech of black birds.

She did not even seem to notice the sudden change in scenery. Natiselle continued to titter on about some gown she had seen at the dressmaker’s and how it was so unfair that her color choices were so limited by the Pravaci Court. She was utterly unconcerned that we were steadily approaching some of the worst parts of the city.

Then, as if on cue, a dark figure stepped out of the shadows. “Two pretty ladies. Bless Archanie. Looks like a win tonight, eh lads?” I turned around and saw two more ruffians behind us. Something was terribly wrong. It was only supposed to be Jatil; he had assured me that he would do it himself. The man in front of us was decidedly not Jatil, he was much too tall. The bottom of my stomach fell and my hands began to shake, the full weight of my mistake dawned on me.

Natiselle took a step forward and looked the man up and down. I wanted nothing more than to yell at her for being a fool but my voice seemed to have deserted me

“Now, what would you lovely gentlemen want with us?” She played with the ribbon at the front of her dress as she moved. “Surely it would be more prudent for you to escort us to our destination and be rewarded handsomely upon our arrival.” She dared to flutter her eyelashes at them. “Our purses are much too meager to satisfy the three of you.”

“Hear that? We’re gentlemen now,” the stout one snickered.

“She speaks such pretty words, but oh how stupid,” the leader leered. They started to circle us, like predator around prey, like the hyenas from my books. “You see lovely, a nice clean toss is so hard to find in the out parts. There is so much more than your purse to be had.”

“I don’t think I’ve seen such a delicate lady in my life,” the thin one panted.

The leader cocked his head and looked at Natiselle, “What do you think lads, I think darkie over here can take two of us.”

“I don’t care as long as I get blondie.”

The air seemed to shift, like a cloak falling away, revealing the world as it truly was. I looked at Natiselle and gone was the frivolous girl who cared only about her jewels, in her stead was a steely eyed creature with a lip curling in rage. “Wrong thing to say, ‘lads’,” disgust dripped from her voice, a full octave lower than normal. She pulled at the ribbon she had been fiddling with and her skirt and petticoats fell away, revealing tightfitting trousers and flat soled boots. Somehow she had managed to secure two forearm length blades and a whip to her thighs. “I can take all three of you.”

My skin crawled as if the claw of death had trailed down the length of my spine. I could hear the blood rushing to my ears, a throbbing beat like war drums that drowned out everything else. She strung into action and if I had not been too terrified to move, I would have shielded my eyes. With a flick the whip wrapped itself around the main thug’s neck and his eyes bugged as he clawed at his throat. The stocky one ran at her and she nimbly slid out of the way, turning and pulling at her whip in the same motion. He missed her and she kicked out the back of his knees as he ran past her and sent him sprawling.

“Natiselle, behind you!” I yelped as the last remaining ruffian approached her back, knife in hand. She turned at the last moment and drew one of her blades. She blocked him with her forearm and ducked under his swipe. Figuring that she needed both hands, she let go of the whip and threw the blade at the leader. It found its mark in his stomach and he looked down in shock. With a yank he pulled it out and immediately blood bloomed across his shirt. I could feel the bile rising in my throat.

She did not even pause. Natiselle had pulled her remaining blade and was ducking and weaving around each swipe he tried to land. She danced around him, slicing at any opening–his back, side, cheek. Every cut she landed caused him to roar with pain or anger.

Suddenly, I could feel a grimy hand at my throat, pulling backwards. The stocky one that had fallen, I had forgotten about him. I could feel his hot breath on my head, smelling of rot and his last meal. His sweaty shirt clung to my back and I could almost feel it through my bodice. A gasp escaped me and Natiselle’s face whipped around. Her eyes narrowed as spots danced in my vision. She raised her hand and her dagger flew through the air. Space seemed to hang still as it came towards us. My knees buckled and only his hand was keeping upright. Then I could feel wetness in my hair and on my forehead. His grip fell away and air flooded my lungs.

I turned to look at him and saw the hilt protruding from his thick neck. My stomach heaved and I fell to all fours. The gravel bit into my palms, but the stable ground comforted me. I lifted my head and saw Natiselle behind the last one, her elbow in line with his jaw and her legs wrapped around his waist. She was clutching on of her fists and looked to be pulling up with all her might, her teeth gritted in the effort. Her lips were moving, almost as if she was counting. He clawed at her arm for a moment before pitching forward.

She did not let go for what seemed like an eternity. When she finally rolled off of him, her heaving breath the only sound in the night. She stumbled to her feet, cleaned her hands on her now filthy trousers, and started to retrieve her weapons. I watched as she wiped the blood from her blades on each victim’s clothes before sheathing them again.

“How –” I started, “How did you do that? You met your mark every time.” She looked at me and I realized my mouth must have been agape. I dragged my sleeve across it in an effort to remove the bile.

“I was aiming for their foreheads,” she said, her face flushed but otherwise emotionless. Her eyes narrowed and my heart sank as if I knew what the next words out of her mouth would be. “You knew this was going to happen did you not? This is why you brought me here.” Her voice was so quiet and fear shot through me. “There is no ‘delicious dining hall’ in this region is there?”

“I – I did not expect for this–” I stumbled over my words, “my friend was –”

“To what? Jump out and scare me?”

“I, yes, but –”

“Why?” she spat.

“I was jealous.” It was not until the words left my mouth that I realized my true motivation. The look in her eyes seemed to turn from murder to something like pity. To my surprise she offered me a hand. “Are you not going to kill me?”

“Why? Are you trying to kill me? She asked, a singular eyebrow quirking up.

“No.”

“Then why in three hells would I kill you?” she cursed.

“I know that you are not what you seem. You are more than just some lord’s daughter, here to find a wealthy husband.” Finally my voice seemed to find its footing.

“You owe me now, three times over. You are too useful to dispose of now,” she said, “and I am not an animal. I would never kill an unarmed man or woman." She shook her hand at me. Are you going to stay on the ground in your own filth?”

I took her hand and she pulled me to my feet. She collected her skirt and refastened it to her waist, but not before I noticed the cuts on her arms and legs. “I am so sorry. You are hurt!” I exclaimed.

She turned to look at herself. “Hmm, so I am.” Natiselle looked down at her skirt and swore at the now stained mess they were in. “I want my clothes mended and laundered by Wednesday.” I nodded vigorously. Satisfied, she started back the way we came.

A puff of air escaped me and I was overcome with relief. As the adrenaline left me, exhaustion took its place. I followed after her, trying by best to keep my fatigue at bay. After a while, we made it back to a main street. “Let me see your house gem.” She thrust her hand at me and without a word I pulled the ruby from its place next to my heart. She closed her hand around the golden chain and said, “Follow my lead.” She stumbled toward an approaching carriage, her fist outstretched with the ruby swinging and glittering in the lamplight. I did not need to pretend to be tired, my legs felt like lead.

“Help!” She cried, managing to be both breathless and loud. We must have been a sight, Natiselle with her tattered and bloody sleeves and me with bile and blood in my hair.
The carriage slowed and the alarmed lord and lady peered out. “Please, we beg your help to the Pravaci District.” The lady looked at her husband and put a gentile hand on his arm. “House Toulerin will reward you greatly”. He nodded and the door swung open. I sunk into the cushions gratefully and promptly fainted.


Natiselle –

I did not take a full breath until I reached my chambers. When I finally released my fists and the tension left me, my knees buckled. My heart threatened to beat out of my chest and I could feel the blood draining from my cheeks.

With fumbling fingers, I tugged at the ribbon again and I escaped my skirt. I tried to work myself out of the corset, but it was much too tight. I could not even begin to imagine the terror a lady's maid would have at the sight of me. Gods it was so pretty, the thought of damaging it pained me, but I felt as if it was constricting my very soul. Before I could change my mind, I dragged my blade down my back and felt the soft snap of each cord. It fell away from me and my chest rejoiced. Newly liberated, I made my way to the washroom and began to wash the blood from my hands.

I made the mistake of looking up and immediately I wished that I had kept my head down. The woman who looked back at me had wild eyes and disheveled hair. I turned away from myself and focused singularly on my hands. The vigorous movement shook the porcelain and the water threatened to splash everywhere. Still I scrubbed. I scrubbed until the soap slipped from my grip and in an effort to catch it; I knocked the basin to the ground. It shattered spectacularly and the pink water splashed everywhere. I cursed as I bent down to pick up the shards.

“What happened?” I did not need to lift my head to know that Kraio was standing in the doorway. He came, knelt next to me, and began picking up the shards with his deft fingers.

“Nothing I cannot handle.”

“Should I be worried?” He got up and gingerly placed the pieces on the countertop.

"Your little plaything is going to be terrified for a while," I managed, "but there is nothing I could have done about that."

“What happened?” he asked again.

I spun on him and snapped, “I do not wish to dwell on it, Kraiotan. Leave me be!”
He seemed to truly take me in, a wild mess of raw hands and bloody arms.

“How many?” He already knew.

“Three.”

“What did they do?” His voice was deathly quiet.

"Threatened us." My voice quaked and I could not bear to look at him. My hand flew to my mouth, and I could smell the iron. "They wanted to have their way with us."

He closed the distance between us and enveloped me in his arms. “Oh sister, I am so sorry.” I buried my head in the crook of his shoulder. “I want nothing more than to kill them.” I could feel the tension coursing through him. “But it seems you beat me to it.”

“I did not even know their names.” I hated myself for it but my voice broke. I so desperately wanted to be a harsh and unrelenting wave of wrath. But try as I might, I could not help but think of how I had a family to comfort me. Did they? “Kraio, I just –” I sobbed, “They probably have loved ones – had, had loved ones.”

He took a step away from me and held me at arm’s length. “Nati, listen to me. None of this is your fault.” I could not face him. “Look at me. They put you in a position where your life was threatened. You know this. Your head knows this.” He gently lifted my chin. “They made their choices and you made yours. Thankfully, you came out on top and you will never find me wishing that you had not. Even though you drive me mad, the world is better with you in it.”

All I could do was nod and he pulled me in again, perching his chin on the top of my head. “And because I know you, I know that you are going to beat yourself up over feeling remorse.” I clutched on tighter. “You are human, I would worry if you felt nothing.”

@Riorlyne pets

Hi all! Sorry for the delay in getting back to you. I have taken a short break to focus on worldbuilding, but I’m back in business now. I’ll be taking a look at the latest excerpts soon. :)

@Riorlyne pets

@Kellsey - I have finally had a look at your prologue. :) Inline comments can be found here. I hope that they're easy enough to follow.


General Feedback

  • Structure: I think the biggest issue I noticed with this piece is the shift in tension when Imdeli goes to put out the fire-retardants during the attack. It seems a bit out of place for her to be able to so calmly and efficiently set them out when everyone around her is screaming, being stabbed and dragged off, etc. I would have expected her first instinct to be to look for her family, and if that's not possible, for her to flee to safety. It's not clear from your prologue why she sees stopping the fire as being of a higher priority, especially since the fire is already burning up her home, and I think that it could work just as well if the side-plot of stopping the fire is omitted (unless that part has a greater significance somewhere along the line in your story).
    If it does have greater significance, I think it needs to be tweaked so that it doesn't break the suspense and tension of that bit of your story. My thoughts were focusing on things like "Why is a swamp, something full of water, at danger of catching fire?" "What sort of plant is a linala?" "How do these things stop fire anyway?" which isn't the path you want to lead the reader on at this point in the story, I don't think.
  • Setting: For this short piece, you establish a sense of setting very well. I am reminded of coastal mangroves with thick, slimy mud and twisty, wide-spreading trees throughout. That said, I think a little more relevant detail would not go amiss, such as mentioning earlier the fact that Imdeli's species have horns (such as when speaking of Silemi - "a young girl whose blue hair was carefully parted to show off her newly-sprouted horns") and including more references to the community. I may be wrong, but I'm guessing Imdeli's people are rural and highly communal, so it can come across as a little strange that Imdeli is doing all these tasks alone and is interested in painting, usually a solitary exercise.
    I understand that it's difficult to walk the fine line between rich, descriptive writing and infodumping. What has helped me to incorporate detail in a useful fashion is to use it in little pieces to further plot or characterisation (such as in the horns example I gave above - it's not saying, "oh, and Silemi's species has horns", it's saying "Silemi is proud of being a 'big girl' now"). You have a great example of that in this line, which instead of saying "oh, and the swamp smells awful", is saying "the swamp's awful smell is causing problems for the MC":

    She emerged with a desperate gasp, gagging at the sulfuric smell plugged in her nose and mouth.

  • Sequence: In general, it's better to structure sentences and paragraphs so that what happens first appears first, and so on. This is sometimes hard to spot, but I've marked a few places where your narrative sort of skips forward and then goes back. If this is done purposefully (like in a flashback) it can be used effectively, but at the sentence level it often only causes confusion for the reader, because they're forced to 'rewind' the image they have of the story in their head, and that breaks the immersion for them.

I can tell your work is going to incorporate some great worldbuilding and (it looks like) diverse culture, so all the best as you continue! I look forward to seeing where this story leads.

All the best with your writing!

Kellsey

@Riorlyne
Thank you so much for the advice! Looking at your comments reinforces what I think is problematic in my writing, but I've just never known how to fix it. As for information, I do find I'm having trouble incorporating worldbuilding elements without infodumping. For example, that pause in which she sets out the fire retardants comes from how heavily indoctrinated her people are with the idea of the community's wellbeing coming first. However, I can definitely think of ways to get by it. Similarly, her desire to paint comes from her culture, which places importance on visual representations of stories (as it brings the community together in allowing everyone to get a sense of a person's self through these visuals.) After thinking it through, I figure it'd probably be best to omit this and then bring it back in later chapters as her Imdeli's character is further developed.

As for my writing itself, I realize have quite a few issues with pacing, passive voice, etc. Your identification of them, however, is very helpful because I've never been able to pinpoint what exactly seems off. Hopefully, I'll be able to get where I'd like to be.

Again, thank you so much for taking the time to look at my writing! I very much appreciate it :)

Deleted user

Nothing at the idea stage, please. This is simply because the most boring, clichéd idea can be amazing if well-written, and having the best idea in the world is no use if it's presented in a terrible way. Because it all depends on what an author does with the idea, I prefer not to give feedback on things at the idea stage. Plots with a moderate level of detail are fine, but something along the lines of "misunderstood half-orc learns magic to defeat army of tabby cats" is too open-ended.
Let me know what stage the writing is at. If it's a first draft, I would look more at things like characterisation and flow, whereas if you consider it close to finished, I would pay a closer look at grammar and spelling.
I live in Australia. Being upside-down and all, my replies might not be at a friendly hour for your timezone, but if the thread title still says (OPEN), I will reply!
I will try my best to give balanced feedback, but if you'd prefer a more gentle approach (or conversely, brutal honesty) don't hesitate to let me know.
I will reply in a comment to this thread unless you specifically request that I send feedback in a private message. :)

The story is close to the beginning, around six to seven chapters deep. May I have address (out of bless, address, press method) (aka saying both what I'm good at and bad at)?
I mean… I already edit things like spelling and grammar as I go, so maybe not that?
It's fine if you don't accept fanfics!

@Riorlyne pets

Hello everyone!

First of all, I'm sorry for letting this slide into oblivion without giving people a heads-up about it or letting you guys know whether I was still offering critique or not. At the very least, I should have changed the title to "CLOSED". I'm aiming to do better in future, and (a) be honest about having bitten off more than I could chew, and (b) try not to take on that much in the first place.

Which brings me to the second thing: I would like to open up my "offering feedback" offer again. :) This time, I'll start with just 5 spots, and reassess how I'm going at the end of the 5 so that things stay manageable for me.

Most of my points from my original post still stand:

  • Nothing at the idea stage, please. This is simply because the most boring, clichéd idea can be amazing if well-written, and having the best idea in the world is no use if it's presented in a terrible way. Because it all depends on what an author does with the idea, I prefer not to give feedback on things at the idea stage. Plots with a moderate level of detail are fine, but something along the lines of "misunderstood half-orc learns magic to defeat army of tabby cats" is too open-ended.
  • Let me know what stage the writing is at. If it's a first draft, I would look more at things like characterisation and flow, whereas if you consider it close to finished, I would pay a closer look at grammar and spelling.
  • I live in Australia. Being upside-down and all, my replies might not be at a friendly hour for your timezone, but I will do my best to reply!
  • I will try my best to give balanced feedback, but if you'd prefer a more gentle approach (or conversely, brutal honesty) don't hesitate to let me know.
  • I will reply in a comment to this thread unless you specifically request that I send feedback in a private message. :)

Spots Open/Filled
  1. LittleBear
  2. Relsey
  3. OPEN
  4. OPEN
  5. OPEN

@LittleBear , @NobleWolf and @Penstorm , I think I may have abandoned the thread without responding to your requests for feedback. If you're still active and would still like some (I am aware it has been several months!) please feel free to ask again and I'll add you in with first priority.

(This also goes for anyone else to whom I did not respond earlier in the thread.)

@Relsey-TheElder

Hello! I have a solid outline of the plot for my book series I'd like critiqued. It's in the middle stages of development right now, I'd like to know if it makes sense to some one other then my self and if you think any elements should be expanded on or scrapped.

@Riorlyne pets

@LittleBear – all right, here goes! As always, inline feedback here.


General Comments

Tension
First of all, you build tension really, really well. That first scene had a very compelling arc (though it perhaps needed a couple more sentences of winding down) and although I knew from my first quick skim that the girls would survive, it didn't feel that way as they fought! I also found Natiselle's emotional reaction to the ordeal realistic and believable - it came across that she was repressing it at first (partially due to her anger with Aelina and the danger they were in, and partially due to upbringing) but when alone and with someone she trusted was able to let go a little.

(Also, I love all forms of wordplay and Nati's "I can take all three of you" comeback was gold.)

Worldbuilding
Again, as I have probably mentioned before, the world of your story feels rich and solid. You've got a great balance here where there's the right amount of detail and nothing comes across as infodumping. There's a reason behind the little details of the setting and the characters, and it shows. I find the scenes easy to picture, and hard to leave behind, so if you do have more when I have time, I want to tumble into this world again.

Filter words/phrases
I noticed quite a few of those in this segment, so I thought I'd point them out. When you don't relay the action to the reader directly but filter it through the character's senses, it can lose some of its impact. Phrases of this kind are "I saw, I heard, she seemed, it looked like". Some of them work, but most of them just slow the action down. If the narrative is told from a first-person perspective, the reader will easily assume that the narrator can see or hear what they're told is going on.

Paragraphing
Just a couple of things: I find that the narrative flows better if a sentence where a character acts is in the same paragraph as the one where they speak, rather than paired with a different character's dialogue. So, instead of this:

"I'm sorry," Jane said. John stared at her.

"No you're not."

This is better:

"I'm sorry," Jane said.

John stared at her. "No you're not."

In the document, I've marked a few places where I think paragraphing would flow better the second way.

Lastly, when you repeat a character's name for the first time in a bit, I find it more helpful as the first mention of that character in a paragraph (and using pronouns afterward, instead of pronouns first and name afterward).
Instead of this:

She fell to the floor. Jane wasn't breathing.

This is better:

Jane fell to the floor. She wasn't breathing.


As always, all of the comments above and in the document are my own opinion; feel free to keep and reject what suits your story. If you have any questions about anything I've said (written), I'm more than happy to clarify what I meant!

Also, avalanche of small suggestions aside, I think this piece is excellent. I'm invested in both characters (yep, even the horribly misguided Aelina) and want to know the rest of their story. :D

@LittleBear group

@Riorlyne Thanks so much, you are always so thorough! It makes me SO happy that you caught that Nati's demeanor is from her upbringing/training! And I'm on break from school right now so I have the time to write, so if you want I can definitely put some stuff up! But I don't want to take up too much of your time, so once I get it up put me at the bottom of your stack :)

@Riorlyne pets

@Relsey - I've had a look at your plot. Here are my thoughts. :)


The magical items
I like the concept of the gods having given these special magical artefacts to the leaders of each magical race. I think you should really nail down what the powers and drawbacks of these pieces of jewellery are (in your own notes, not necessarily in the information given to the reader). In the beginning, Cador (who was wearing the crown) gets infected, but Azizia does not (because she was wearing the crown). So does the crown protect from infection or not? And if you mean that Cador gave it to his little sister to protect her, why doesn't the crown just fall off her? You've said that the object falls off if the "true ruler" is not wearing it, and it doesn't really make sense to me why it would consider Azizia the "true ruler" if she's three years old and has a living (and ruling!) mother and older brother.

Also, you've mentioned that the magical objects have powers, but that if they're under too much strain they will break. So is Azizia's crown in danger of breaking at any point in her journey? What does it protect her from, exactly? (Like, maybe she can't purposefully be killed. But if she fell into the ocean would she drown, etc.?)

The Blakes
The idea of a magical virus borne from a broken magical object is pretty cool. I guess that makes them, like, magical zombies? I'm not too keen on the name "Blakes" though, probably because it's a given name and it makes me think of a cool high-school kid who likes to skateboard, not a fantasy virus-possessed creature.

You will need to work out the specifics of the virus so that dealing with it in the story is consistent. How does it spread? What are its effects? How quickly will someone die from it? Can they be cured? How do you kill a Blake that already died from the virus? Are Azizia and the other jewellery-wearing royals the only ones immune to the virus?

You don't need to answer these here, but you do need to know the specifics yourself.

Scale
I'm not sure about book 2 being from Scale's perspective, especially if she won't be able to communicate with anyone for most of the story. Also, some questions that you should make sure your planning answers:

  • Why does the Dragon queen have magic if the ring is gone?
  • Can Scale transform back? How?
  • Is it supposed to be a twist that she's a dragon? With a name like "Scale" readers may figure it out sooner than you like.
  • Why can't she communicate with Azizia?
  • Scale seems pretty independent, so does she try to escape from her kidnapper?

The communication thing is the one I find hardest to wrap my head around. It sounds from what I've read of the plot that Azizia knows Scale is a dragon and that's why she needs her for the quest. So she would make every effort to explain what's going on to Scale and get the girl on her side. If the reason for the ringing in her ears is "because of plot she can't know why she's with Azizia", I think there's too many ways around that. What happens if Azizia writes it out? Or draws pictures? What happens if they're joined by a Feana who comes up to Scale and says, "Hey, I'm Lucy, I heard you're here to help us defeat the Blakes" - does she have the ringing in her ears then too?

I really think you could build conflict and tension around something other than communication. For example, imagine Azizia explains exactly why she kidnapped her: "You're the last living dragon and I need your dragonfire to fix this ring so we can end the Blakes". Well, Scale still looks like a human. She can't breathe fire. How is she going to transform back? She doesn't have magic. She had no dragon parents to teach her, etc. The problem's not solved just because she knows what's going on. And she may not even believe Azizia in the first place.


Overall, I think you've got a great idea that you can launch a story from (the background with the dragons and the destruction of the ring is pretty cool!) but you need to work out the parameters of some of the other elements in your story (like the limitations of the magic jewellery, the way the virus works) so that the world can be consistent and you can avoid creating plot holes that will become bigger issues later.

All the best with your writing!

@Relsey-TheElder

Thank you @Riorlyne! you're comments we're very helpful and I will make some tweaks and changes, A lot of what you commented on I do have in personal notes (including why she can't hear when people tell her she's a dragon, don't worry I've thought of that), but some of the other things I hadn't considered, Thank you again!

@bonjourhumans

@Riorlyne, would you mind giving my short story a look? I'm currently on the second draft, but I'm planning on entering it into a competition so I need it to be the best it can be. And be as brutally honest as necessary, my feelings don't get hurt very easily!

@Riorlyne pets

@mackbyst - Hi! I've read through your short story a couple of times. Inline feedback can be found here, and I've written some general thoughts below.


Repetition
I think that the repeated colour language can be effective, but it's repeated a little too much in this piece, in my opinion. It's especially obvious with "mauve", since that's not one of the more common colour words, and because it's such a specific shade of purple, it can sound contrived that so many things are exactly that colour. "Crimson" works more easily since it's a more commonly known colour.

Consistency
Several things seemed to waver back and forth through the piece, which made it hard for me to connect with the main character. Was she a teenager, or was she old? Was it crimson or mauve that she wanted to forget? Did she love Octavian forever or was it just one day? Was she worried about Sophelia finding her or not? (Honestly once she's in London that 'get away from Sophelia' vibe kind of disappears. You may not need it. Running away to forget might be enough reason for your protagonist if she's old enough to be independent from her parents.)

I don't think you need to spell these out for the reader directly, but if you remember them as you write, your writing is likely to be more consistent.

Make every word count
In writing, you want every word to be there for a reason. This is even more the case when it comes to short stories, because there's not a lot of room for extra bits and pieces. In your story, there were a few tangents I noticed that didn't contribute to the story you were telling—some of the flashbacks, and a few sentences of introspection. They jolted me out of the flow of the story and raised more questions than they answered.

I thought the way you interspersed flashbacks throughout the story was an effective technique, but if you cull what's unnecessary and link more of your plot elements together, they'll work even better.

Ending
I did like the way you decided to end the story. The imagery is a lot clearer. Alessa shows purpose and personality. It's probably the strongest writing of the piece. I think with a more consistent build up to the ending, it will pack a bigger punch.

@LittleBear group

If you've got time, would you mind looking at this for me?

~Edits have been made!~
Hey Girly! I hope this finds you being your awesome self. Here is another scene I have been working on the past few days (sorry for the CRAZY hiatus)

Here are just a few reminders of my crazy story.
This is the generation before Natiselle.

Gov’t/Setting:

  • The Kingdom of Darion is a diarchy (so two kings as opposed to a monarchy). There are twelve houses in total, and everyone is affiliated with a specialty, think like a medieval guild or American style President’s cabinet (does Australia’s President have a cabinet?). The King Houses (if you can help me think of a better name then that, I would be eternally grateful) are in charge of War (Soldiers and Peacekeepers) and Coin (Econ). The ten remaining lord houses are things like medical, education, artisanry, agriculture, etc. The Houses are all named after the last name of the lords. They all have distinctive colors and corresponding gems, have offices in the grand palace (I can tell you more if you’d like, but I think that’s enough for this scene.)
    Characters:
  • Jerlorn Deracose is the Crown War Prince and has been friends with Marielle since they were 11 and 10 respectively. How they became friends is super complicated. As a crown prince, he is expected to get married to strengthen an alliance. He is about 16 at this time
  • Marielle is a common girl that became a lady’s maid to her friend Eline (part of the Education house) after her father (a carpenter in the Artisan’s Guild) died (during his conscription, so that’s awkward) inorder to support her family. She is about 15 at this time. She is known around court as being one of the most beautiful women.

I’m terrible at writing men so I guess I’m wondering if this sounds masculine (as masculine as a dude can be when with his crush) and different from Erion. Also, I’m trying to get the shipping feelings started. Let me know what you think!

Jerlorn –

“Marielle, may I ask you for a favor?” I asked, hiding my hands behind my back.

She looked up from her book and grinned. “Yes! Anything to pull me away from Aton!”

“Why are you reading him if you don’t like him?”

She threw up her hand as if to wave away a pest. “Eline is making me. She wants someone to discuss his philosophies with and apparently the entire Pravaci Court is not enough for her.”

I chuckled, “That sounds like her.” I hesitated, opening my mouth to say something clever, but the thought disappeared, so I clamped my mouth shut.

Marielle tilted her head quizzically, "So… the favor?"

"Will you walk with me?" The words fell out in rushed jumble.

She laughed. "That's the favor?"

"No!" I could feel my face burning. "No. But will you walk with me?"

“I’d be glad to,” she said as she set the tome on the side table.

We set off down the hall at and easy pace, the purple banners of the Camile Wing slowly fading into the translucent ones of the Court.

“I’m glad I could rescue you from Kitraton, but may I ask what you think of him?” I said as I led her towards the grand staircase.

“I don’t like his works at all, too much destiny and duty.” She thrust her finger into the air, made a funny face, and in a deep a haughty voice said, “One must always consider his station when making decisions. A lowly fisherman has no place debating as if he were king, that is not his role and should not waste his time when he could be fishing. Blah, blah, blahdy, blah. Look at me, I’m so smart.”

I could not help but laugh. “What do you think we should do then?”

“Well, what if that fisherman is more clever than the king?” she said in her regular register. “Maybe not in all things, but perhaps in a single instance he knows what is right. Should he stay quiet because he does not have a throne or jewels? Should the rest of the kingdom suffer because the king did not have all the perspectives? No! An idea is good or bad not matter its source,” she said.

No matter its source. The words rung in my ears. She was right, wisdom should always win. If only it was that easy. To see all men as men, no matter the lineage. To let a boy court a girl, no matter her station.

“But enough of my prattle,” she said. “What is this mysterious favor?”

“I’m having trouble with something.”

“Is that all you’ll tell me?” she giggled. She took on the deep voice again and started walking in what I assume was an impersonation of a man’s gait. “I’m Jerlorn, and I have secrets –”

“Stop, stop!” I laughed. “We have to get there first!”

“Fine then, let us make haste! I grow impatient!” She said, gathering her skirts so she could fly down the stairs.

A passing governess was about to chide her, but she caught sight of me and quickly closed her mouth.

Chuckling, I followed after her.

Once she reached the courtyard, she stopped and waited for me. When I did reach her, she had her eyes closed, her face tilted towards the midday sun.

“Come on then, stop your dilly dallying,” I said and started towards the greater grounds.

“I protest!” she said. “I have neither dillied nor dallied in my life!”

Gods how she made me smile. I was drunk on her joy.

“M’ lady!” A voice called after us. “You will burn!”

I turned and a harried maid was hurrying towards us with a parasol in hand.

“Oh, Your Highness! I did not realize it was you,” she said, dipping into a deep curtsy. She turned
to Marielle and asked, “Do you required someone to hold the shade?”

“No thank you, I don’t want to keep you,” Marielle said, taking the parasol.

The maid looked relieved, curtsied again, and made her way back inside.

“My how the palace is different… I have to worry about the sun now,” Marielle said, almost to herself.

“Maybe use it as a walking cane or as a sword. I could picture you fending off pack of bandits with that.” I said. “A warrior in lace!”

She shook her head at me. “The things you say! What imagination!” But, with a mischievous look in her eye, she swung the parasol around as if ready to defend us from an imaginary foe.

“All beware, Marielle the Mighty guardian of the realm,” I said.

She giggled, opened her mighty weapon, and began to use it for its true and much less exciting
purpose. “You are too much. But really, Jerlorn where are we going?”

“What, this open field is not enough for you?” I said.

She just gave me a look.

“It’s that building over there.” I pointed to a small building with a thatched roof and an overhang, black Vrualti and orange Ahitha banners fluttering in the breeze next to it. Unlike all the surrounding buildings there was no flurry of activity inside. At my request and my purse, the carpenters had taken the day as a holiday.

“Artisans and Innovation? What could you possibly need there?” She asked, her eyebrows knitting together.

“Well, I wanted to make something and I’m having a lot of trouble. If I were to ask one of the craftsmen, I would be making them late for their other projects. So, I thought I would ask you.” I said, hoping that she would say yes.

“You mean we’re going to the carpenter’s shop? You want help with woodwork?” She asked, a hopeful lilt to her voice.

“Yes? Is that alright?” I said.

“It’s wonderful! I have missed smell of saw dust, as strange as that is to say. I would love to help you. This is more a gift to me than anything.” She was practically bouncing.

“You want to go quicker, don’t you?”

She looked at me guiltily.

“Give me the parasol,” I said.

Marielle nearly threw it at me.

I closed it, tucked it under my arm, and ran after her. Her skirts slowed her down, but we made it in record time. “You’re mad.”

She smiled and huffed, “Would you have me any other way?” She straightened her skirts and tucked away some runaway strands of hair. “Shall we?”

“Yes, lets.” I said. The moment I opened the door for her, the dry scent of saw dust wafted out.

As soon as she crossed the threshold, she took a deep breath, inhaling the scent of sap and sawdust, and sighed. She went to the windows and gently pushed aside the curtains, brightening the room tenfold. Then she went and sat at the work bench, taking great interest in the wood, tools, and gloves strewn about. “So, what can I help you with?”

I took the stool next to her and pointed to my various failed attempts at carving. There were many blocks of white wood with rough edges, gouges, chips, and splinters in them. “It’s a lot harder than I initially thought,” I said sheepishly.

“Who gave you this?” She asked, picking up one of the blocks, turning it over in her hands.

“No one gave it to me. I didn’t want to bother anyone, so I just asked for some of their scraps.”

Marielle put a hand on my arm and shook her head at me. “Its no wonder you’re having trouble. This is Red Oak, one of the most difficult woods to work with. Red Oak pieces can outlast entire kingdoms and requires extremely skilled craftsmen.” She got up from the work bench and went towards the shelves of wood in the back. “Oh, this is so lovely, everything is labeled!” she said, turning a corner. “Ah ha! Would you like a white color or browner?”

Nightingales were brown, right? “Brown.”

“Butternut it is then,” she said and then sat back down next to me. She was so close that her skirts brushed against my trousers. “You see, this wood is a lot lighter and softer, making it easier to carve and is a good starting point for a beginner. It’s also a lot better if you want to make more intricate designs.”

It took all my might to pay attention to her words as the air between us became increasingly electric.

She set two blocks of the light brown wood on the table and grabbed a skinny, sharpened piece of charcoal. “This charcoal is so fine. Are you sure its alright for me to be doing this? I don’t want to use something so expensive.”

“I promise to pay them back.”

“Alright then,” she said, twirling the charcoal between her fingers. “First you should sketch a rough design of what you want onto the wood. This will give your reference and then you can refine the image as you get closer to the finished item.” She turned to look at me expectantly. “What would you like to make?”

“A Nightingale,” I said before I could lose my courage.

“Lovely! I like that much more than what I expected.”

“And what’s that?”

“The boar from last week’s hunt. I know it was prize game, but it was gruesome sight.” She shuddered lightly, “I don’t care for the mounted heads in the great hall.”

I made a mental note to make sure the boar wouldn’t go up with the rest of the game. Perhaps it would make a good tribute for a visiting emissary. “No, just a bird.”

Nodding, she began to sketch a plain bird with an open mouth. I watched as her quick fingers glided over the wood and brought a liveliness to it. She was done as quickly as she had started. She handed me the charcoal and said, “Now you. You can use mine for reference if you would like.”

I took it from her and when I put it to the wood, the charcoal’s point snapped off.

Giggling, she plucked the charcoal out of my hand. “Gently. The wood isn’t going to hurt you.” She grabbed a nearby knife and sharpened the charcoal before putting it back in my hand, her fingers guiding mine. “Try again.”

I looked at her and grumbled, “You’re having fun, aren’t you?”

With a grin she said, “Crown Prince, you’ve entered my realm now. Now stop stalling!”

After four more shattered pieces, I had a sketch that was much rougher than Marielle’s.

She looked at it quizzically before she took her index and smudged the lines in a way that saved my bird. Then she tested a blade on one of the scraps. Not finding it to her liking, she grabbed a sharpening stone and dragged the little knife back and forth. Then she pulled a glove onto her left hand before handing me one. “Put this on your right.”

“But yours is on your left.”

“Non-dominant hand,” she said as she made a shallow cut into the wood.

"How did you know that?”

She set down her knife and gave me a stern look. “Jerlorn, you forget how long I have known you!”

I held up my hands in surrender.

“Also, you carry your sword on your right hip. It would be hard to draw if that were your dominant hand.” She pointed to the sword that was indeed hanging from my right side. “Now, you should always cut with the grain. Take this and try to make a shallow cut going both ways. The one that gives the least resistance is how you should always cut.” She handed me the knife. “And Always cut away from yourself. I don’t want to think of the trouble I would be in if you died.”

“You wouldn’t miss me?” I feigned hurt.

“Can I give you my answer another day?” She said, grinning.

“As you wish,” I said, and my heart warmed at the thought of another day.

For the next few hours, Marielle guided and teased me mercilessly until my fingers were sore and my soul was as light as a feather.

After all the labor, I finally had a rough, vaguely birdlike figure – a figure that looked nothing like Marielle’s wonder.

“With the rough paper, you rub away the hard edges and splinters until it is as smooth a river stone,” she said, moving the paper over her nightingale in quick circles. “My father used to always say that we are all like stones. We begin as rough rock with edges that crumble and stab and tear. But over time, whether it be other rocks knocking into us or by water gently smoothing us over for centuries – we all become smooth as we are supposed to be. We all find our place in the world.” She did not look at me as she talked, she was too focused on the wood. The way the wood changed, you would have thought it was clay between her fingers.

“That’s beautiful…” I didn’t even mean to say it, it just slipped out.

She chuckled and looked at me with mirth, “It’s not even stained yet!”

“No not the wood, what your father used to say.” The way she was looking at me made me feel things that I shouldn’t. She wasn’t an advantageous match, I shouldn’t be torturing myself like this. “I think that is a beautiful way to think about humanity. He must have been incredibly wise. I wish that I could have known him.”

“He would have liked you.” Marielle looked as if her mind was far away, perhaps deep in a memory. “He liked honest people, people who are always looking out for others.”

“I think you’re describing yourself more than me,” I said, taking one of the sand papers and trying to mimic her movements.

“I don’t know what you mean,”

“Moving here. It must have been terribly hard for you to leave your family after your father was killed. It was brave. If our roles had been reversed, I don’t know if I could have done it.”

“There was a choice to be made, my feelings didn’t matter. The money I send home is more important than any of the comfort I could have given them. Bravery had nothing to do with it,” she said, looking down.

“Don’t do that,” I said, with much more force than I meant.

She stiffened and immediately the line between us sprung up. The line that dictated that she followed my every order, the line that demanded everyone followed my orders.

“Yes, I apologize.”

“No, that’s not what I meant.” I said, reaching for her. I wanted to take her hands in mine, I wanted it so badly. But, I stopped short and sat with my hand in the air like an idiot before I dropped it. “I – I, oh, never mind.” And I pushed back from the work bench, I shouldn’t have come. It was foolish to even entertain the thought of courting her.

“Your Highness, what did you mean?” she asked, though her voice was soft, hearing my title from her mouth was like a slap.

I stopped in my tracks. It was wrong to do this. The court would never accept her as a queen. I should leave. It would have been smart to leave.

There was a scrape as she pushed back her own stool and her footsteps whispered against the dirt floor until she was right behind me. “What did you mean?”

“I meant don’t undervalue yourself.” I turned to her and we were so close I could smell her perfume, something that made me think of warm cookies from the kitchen. “You are the most remarkable person I have ever met. I have met kings and queens from foreign lands and none of them have captivated me as you do. Your honesty and mirth. The way you question the world and urge others to do the same. Your strength. I don’t have enough words to tell you how much I admire you.”

She took a step back, a hand on her chest. “I don’t know what to say. I –” a blush was creeping into her cheeks and regret was creeping into my bones. I shouldn’t have said anything.

“Forgive me, I’ve made you uncomfortable. I’ll take my leave.”

“No, you haven’t. It is only that, no one has ever spoken to me like this.” A strand of hair fell from her braids. “Thank you, that’s what I should say. Thank you, your Highness.”

“Jer. Please, even if we were in front of the entire court, I beg that you call me by my name.”

Marielle smiled. “I don’t know about in front of all of them, but here, alone with you – thank you, Jer.”

When I write Erion, I try and make him think some comment or about her physical appearance, that he loves her, but a lot of it is based in how attractive he finds her. In contrast, I tried to write it so that Jer is in love with who Marielle is as person, rather than her physical characteristics – so he never describes her features, just her actions. So, my intent is to show that despite Erion being the main character, Jer is really the right one for Marielle. Did I achieve my goal?

Also, in order for Marielle to be a good lady’s maid she is constantly being taught. Jer though it would be nice for her to have the chance to be the expert in something (besides finding excuses to be alone with her).

And here is a bonus (much rougher) excerpt like 3-4 years later. Note: Solin Seblire is the Crown Coin Prince and has trained with Jer their entire lives. They are more brothers than friends. You dont have to edit this if you don't want to, just thought you'd enjoy it!

Solin – The skies opened up with all of their rage, each drop stinging across any bits of open flesh. Xios shuddered underneath me and snorted with displeasure.

“Jer, the storm isn’t –”

One look at him and my words fell away. The madman’s features were twisted in a feral grin and he was clearly enjoying himself. There was a violent flash of lightning that turned the world grey and Jer howled with joy.

Jer caught me looking at him and rammed me with his elbow. “What’s that look for?” He yelled over the sound of the rain, the wind, and the disgruntled horses.

“You’ve gone mad!” I tried to yell back, but the thunder drowned me out.

He laughed again and roared, “Can you feel it? The raw power in the air? It’s like the gods fight with us!”

“There is no enemy, but this cursed rain!” I yelled, pulling the collar of my coat higher.

“Oh, come now it’s not so bad –”. He looked at me, must have seen how miserable I was, and roared with laughter again. “Fine. Fine, the next tavern is only a half hour’s ride away.” He turned to the men behind us, who looked as half-drowned as I felt, and shouted, “To the tavern boys!”

A cheer erupted from them and with a newfound fervor, we rode into the night – fueled by the promise of warm beds and fiery ale. To an onlooker we must have looked like Rionel’s huntsmen, come to raze the countryside.

After a time, we arrived at the promised inn. Thankfully it had a covered area large enough for all of our horses. We all wiped them down and tied them securely before heading towards our own blessed refuge.

Jerlorn threw open the door and immediately stomped the mud from his boots and shook his head like a wet dog. He waved down the tavern maid and smiled at her warmly, “How are you doing this fine evening?”

She looked at him quizzically and I could see we were of the same mind – that my fine friend belonged in a madhouse. “Pay him no mind, a round of ale for him and all of us beleaguered wet men,” I said.

“So, everyone here?” She asked, gesturing to the fairly full tavern.

“Yes!” He grinned and then stood up on the bench and roared, “Tonight, drinks are on the Crowns!”

The following roar was tremendous.

I blinked up at him and yelled, “Get down you great loon!”

“Does he mean that? Everyone? All night?” The tavern maid asked, her eyes as big as saucers.

“We are good for it. Find me tomorrow morning and I will pay the debt in full,” I said as I pulled out my Seblire emerald ring from under my shirt.

Immediately she dropped into a curtsey and said, “Of course, Your Majesty”, before scurrying off to the rest of the tables.

Jerlorn was still egging on the raucous cheering from the bench. So, I got up and with a mighty yank, I pulled him from the bench. “What in three hells has gotten into you?” I said as I shook him.

“She accepted.” He grinned.

“What?”

“Marielle! I gave her a courtship bracelet and she accepted!” His eyes gleamed and he was nearly bouncing on his heels with glee.

I tackled him. “My gods that’s incredible.

@Moxie group

Hello! I was wondering if you were still doing this. And if so, do you have a spot open to critique the prologue of my story?

@Riorlyne pets

@Moxie - Yes, still doing this, albeit slowly because work is hectic this week. I'll put your prologue in slot 5. :) Feel free to link/paste it here.
@LittleBear - Sorry for the delay! Things should have calmed down by the end of the week. :)

@Moxie group

Yay thank you so much! Don't worry about getting it done quickly.
So there's a lot of action in this scene, but I don't normally write action scenes so this was a bit challenging. This is also my first draft, so it needs a lot of work.
———————————————————————————————–
A flash of bright light shone throughout the street, illuminating the chaos. Small fires burned, scattered across the empty block. The few people left ran for their lives, trying to clear the block.
Fourth street was in chaos. Shops were on fire, cash flooded the street, food carts were tipped over, people were running around screaming, and a boy clothed only in white, dubbed by the public as Lumen, was flying around, trying to keep a seven-foot-tall black robot at bay. Written on the back of it were the words ‘Vanta Enterprises’ in purple cursive. The sunlight shone down, and the boy reflected it off his hands at the head of the robot, blinding the girl inside. At the same moment, the robot tried shooting at the boy, missing by a few inches. Lumen flashed light at it again and flew around the back, looking for a button or a lever or something. ‘Damn you, Lila,’ he thought, not finding any easy entryways or possible ways to shut the machine down. He had discovered that this particular robot took many difficult calculations when the user inside wanted to turn the head, and thus tried to find a way in from the back. It was not going well. Lumen heard a woman scream and turned his head, costing him precious seconds. The robot’s head finally turned and aimed a blast at Lumen’s back, shooting him to the ground. He went to shoot up off the ground but felt a searing pain in his shoulder as he did. With anger on his masked face, he stood, feet firmly planted on the ground. He was running out of time. This fight needed to end. Soon. He held his arms out in front of him, letting the robot come to him. Once it was close enough, he pushed with his mind, making a thrusting motion with his hands at the same time. The robot flew up and crashed down to the ground. Sweat started to bead on Lumen’s forehead. The robot started to get up, but Lumen pushed it into the air again, higher this time, and let it fall to the ground. It stirred, and he shoved it upwards last time, trying not to pass out from the effort. The robot fell to the ground with a great crash and did not move again. Small, insect-like drones flew in a swarm and picked up the black shell, flying it out to the unknown. Lumen collapsed to the ground, holding a hand to his throbbing head. But people were coming. Those who were in hiding started to creep out, and those who had been avoiding the street started to tentatively walk towards it. They were lost and confused. They needed someone to tell them things were okay. Lumen pushed off the ground and into the air. “It’s alright!” he said in a loud voice. “The street is safe now. You can all go about your business.” He flew off into the early morning air, to an apartment window down the street. He tumbled through it and landed on his bed, taking his white mask off, his breathing heavy. He checked the clock by his bed and groaned. He was going to be late again.

(One other thing that I need help with: when he is "pushing" the robot, I know it reads like he is using telekinesis but he is actually controlling the wind, and I'm not sure how to make that more clear.)

@LittleBear group

@RiorlyneHey! I don't know if you remember, but one of the critiques you gave me was that you wanted to know the colors of the wedding dresses of my characters and that thought stuck with me. (When I should have been studying) I ended up sketching them both and thought you might like to see them…