forum Virtual Creative Writing Club, anyone?
Started by @ninja_violinist
tune

people_alt 130 followers

@ElderGod-kirky group

@kirke
a really good take on the stream-of-consciousness approach!! there's a strong sense of characterisation and voice, and for the most part the inherent difficulty of "how much context would a character give if they're not writing for an audience" is really cleverly solved! especially how some of the Italian phrases are part of the text rather than being repeated in English too - this may just be me, but when I'm writing without an audience and slip into a different language I tend not to translate it. so just. really well done!! thank you for sharing!

that's what it's called
honestly forgot what it was called and now I feel dumb lmao
anyway, thank you! it wasn't intended to be a stream of consciousness, but the more I wrote, the more it turned into that and I'm happy with how it turned out. with the italian, Tegan was raised trilingual, with the three main languages she was raised around being English, Italian, and Greek. when she gets worked up, she tends to fall back on Italian because that's the most prominent language she grew up around. when writing, she also has a habit of mixing languages without thinking about it. sometimes if it's important she writes it twice. so i wanted to incorporate those habits into this because it's a very personal and emotionally charged piece, and I'm glad it turned out as well as it did!

thanks for the feedback!!

@NotSoBeautifulDiseaster group

@NotSoBeautifulDiseaster
these were so fun! you're really good at these short, vivid image descriptions!! A really cool sense of story, good eye for colours! I'd recommend keeping an eye on tenses and making sure they're consistent, as well as sentence structure - you sometimes connect two thoughts with a comma when grammatically there should probably be a period. but yeah. Thanks for sharing!!

Thanks, I'm new with writing image, I will admit grammar isn't my strong and some of my descriptions are somewhat clonky (⌒▽⌒)ゞ

@kavinfrazier21

@kavinfrazier21
I'm no longer a teen myself, but yeah I feel ya. I'm not sure what kind of feedback you're looking for here? I'd point out minor grammar things (consistent "you" instead of "u", sentence structure, etc) but I'm sure you're aware and this seems like more of a personal thing? so yeah. very passionately argued and an entire mood; thank you for sharing!!

thank you

@ElderGod-kirky group

so for context: for my creative writing class, i had to write a ballad about my favorite holiday or season. i do not do favorites, but my mom gave me the idea to write about spring, because it's like a cycle of life and death—everything dead from winter is "coming back to life" when spring rolls around. so here's my shitty spring ballad because there's no guarantee i'm gonna write anything else lmao


Spring's Sweet Kiss

It begins with a kiss.
A snowdrop peck dusting the land,
With its cold blanket embrace.
A widespread death so grand.

It begins with a kiss.
Sundew drops falling from the sky,
Ushering warmth into ice dry limbs.
A tale of rebirth one can't deny.

It begins with a kiss.
Lips of petals rising from below,
Caressing the air with still stiff bones.
Once gone lovelies saying hello.

It begins with a kiss.
Spring's fingers dance all around,
Rousing life from her slumber.
Winter is gone, gone with a frown.

@ninja_violinist

@kirke
hey this is lovely!!! solid ABCB rhyme scheme, very nice imagery, the thread of "It begins with a kiss" that pulls it all together.
favourite line: "Lips of petals rising from below/ Caressing the air with still stiff bones" (there's a very nice rhythm to "still stiff bones"
I do wonder if the last line is as effective as it could be? (me, being finicky about last lines? who could have seen that coming.) idk if this is intentional, but the rest of the poem almost feels chronological (from a snowdrop peck to warmth to flowers coming) and on that level it feels a bit odd to end back on a note about winter? again, all very subjective, depends on what you were trying to do.
but yeah. generally I really love it! Thanks for sharing!

@ninja_violinist

prompts!

music: "Long Long Way from Home" by Foreigner


image: "pipes" by loish (also captioned "a post-apocalyptic slice of life")


word: East Asia Student's translation of 長沙過賈誼宅 (‘In Changsha, Passing by Jia Yi’s Residence’) by the Tang Dynasty Chinese poet 劉長卿 (Liú Chángqīng) - definitely go check out the annotations on the site itself!

For three years exiled from the court, cooped up in this place;
through the ages only leaving behind the sorrow of this wanderer of Chu.
In autumn grasses alone, searching after the passage of others;
in cold woods, empty, seeing the sun slant in time.
The Han Wen Emperor has wisdom, yet his mercy is slight;
the waters of the Xiang are pitiless – if one paid homage who would know?
In a lonesome, silent landscape is one's place to fall and settle;
pitying you: for what reason must you go to the end of the earth?

@ninja_violinist

and bonus - I found this really cool Poets Respond to Art gallery that y'all should definitely check out if you're interested!! There's 14 poems set to 14 pieces of visual art, and it's got a very cool virtual gallery feel to it

@ElderGod-kirky group

@kirke
hey this is lovely!!! solid ABCB rhyme scheme, very nice imagery, the thread of "It begins with a kiss" that pulls it all together.
favourite line: "Lips of petals rising from below/ Caressing the air with still stiff bones" (there's a very nice rhythm to "still stiff bones"
I do wonder if the last line is as effective as it could be? (me, being finicky about last lines? who could have seen that coming.) idk if this is intentional, but the rest of the poem almost feels chronological (from a snowdrop peck to warmth to flowers coming) and on that level it feels a bit odd to end back on a note about winter? again, all very subjective, depends on what you were trying to do.
but yeah. generally I really love it! Thanks for sharing!

oh, thank you! poetry isn't really my forte and i wasnt entirely invested in the assignment lmao. as for the last line, it's a case of "Circe didn't know what to do so she slapped something there as a patch"

@amber_is_in_a_loop

This is kind of unfinished but I wanted some thoughts on it so, let me know


This place feels like ice,
The sun itself beneath my feet,
Smiling, sliding from end to end,
And the sound of cracking.

This place feels like fire,
Casting brilliant shadow across
Skin, tending to my soul with warmth,
And a spark lands on dry leaves.

This place feels like a castle,
The halls whispering my favourite song,
My feet made to run these halls,
And stones crumble around me.

This place feels like the top of the world,
Offering a view that I could not
Have imagined for all the beauty I see,
And the rain falls, and my feet slip,

This place feels like the fall,
Air beating against my body,
Nothing can stop me now, I laugh
And my body breaks and, I'm free.

@ElderGod-kirky group

got inspired, briefly lost inspiration, got inspiration back, then lost direction, but have it anyway


'Not Beautiful'

I am not beautiful.

My scars are stories of scorn and savagery.
My blood spilled pools of crimson,
Not songs of sympathetic sadness.

I am not beautiful.

I am a twisted tangle of a tapestry,
with threads of trials weaving between success and failure
and fractured femurs of faith and pride.

I am not beautiful.

Do not call my pain poetic or pretty.
Do not pretend it is by painting a perfect picture
That picks at the pitter patter of people's hearts.

I am not beautiful.

We are not beautiful.

We are broken and beyond repair,
Stolen breaths in a warrior's ocean storm.
Battles of belittlement and bruises of blamed blasphemy
Pepper our skin.

We are not beautiful.

We are survivors.

Our story must be told, but without tinted frames
Hiding the ugly and torn truth of reality.
Without fear of falling in the eyes
Of the untouched and untainted.

See us as we are,
Or keep us safely in invisibility.
For we are not beautiful,
As you so love to say we are.

@ninja_violinist

feedback!!

@amber_is_in_a_loop
oooh I love this!!! the imagery is super vivid and it feels incredibly intricate! at first glance it felt quite exhilarated but then on reading it more carefully it's got some ~implications~
favourite line: The halls whispering my favourite song
honestly I can't think of much in the way of critique? I have to admit I don't,,, fully understand what's happening or what place we're talking about, exactly, but that doesn't really seem to be much of an issue? even if I don't fully understand the story, the vibes are immaculate

@kirke-is-now-a-legal-adult
sfljsd I really love this!!! it's got a lot of very sibilance starting out, and alliteration all the way through that really ties it together and makes it flow. imagery is on point, fits very beautifully with the content. so super well done!!
favourite line: with threads of trials weaving between success and failure
honestly, not much to say to critique this either? If I squint really hard, I'd ask about the second sentence in the second-to-last stanza, and how exactly it fits, but it makes enough sense if I think about it. so yeah. thanks so much for sharing!!

@ninja_violinist

and prompts!!

music: Ayne Lay New, Sami Dan


image: Breaking Surf by Frederick Judd Waugh


words: from "Hypothesis" by Paul Tran

I asked why.
I asked how.
I asked if

I could survive knowing
that not everything has a reason,
that not everything is capable
of or interested in reason.

Nothing answered.
Nothing spoke
my language of smoke.

@Yamatsu

INSPIRATION HAS STRUCK

The gods are out there. They occasionally take interest in those who they believe to be capable of furthering their own ends, be they selfish or benevolent. Cultures across the world revere these gods through their words and deeds, sometimes being granted boons. The College of Creation teaches that the cosmos is a work of art and that art must be shared and preserved. The world cannot grow without culture, and vice versa.

I do not know the means by which I was created. I awoke in the darkened shop of an old tinkerer, fully formed yet with an inescapable, indescribable feeling of emptiness. A message came to my mind, flashes of inspiration driving me to create the instrument I hold within my steely grip. A god took notice of me, for what reason I cannot be certain, though their true nature fills my mind. A being of pure sound worshipped through the universe’s mere existence. Song, oration, the crunch of gravel beneath horse hooves, the explosions of distant, dying stars, all of these things are made possible through my god.

I seek answers. Why am I here? Why was I chosen? Why do I feel as though my innards have been hollowed out and there is nothing that can ever truly fill it? Well, I at least know the answer to that last one. I must find my god. Their name is ingrained within the solar winds of the cosmos, untranslatable, uncontrollable, their being gives life and sound to the realms of reality and without them, there would be cold unending silence. My name is Primus, a machine given life by the Omnisonorous Deity, and our music shall shake the heavens themselves.

@saor_illust school

yeet, something about love and fate and destiny
inspired by uh
idfk whatever wacky idea my brain came up with
and a sudden want to write something

@amber_is_in_a_loop

A scene from my favourite movie that I can’t get out of my head and decided to write, sorry it’s so long. Little bit of context, this is 17 year old Neil who played the lead in a play against his father’s wishes, his father who wants him to be a doctor. Mr. Keating is the teacher who encouraged Neil’s pursuit of acting, Todd is Neil’s roommate/best friend/not canon boyfriend, and Charlie/Stephen/Pitts/Cameron are Neil’s best friends. Also “the crown” is a wreath of sticks and berries that was a part of his costume. This scene is after the play when Neil’s dad made him come home straight after the play and plans to send him to a new school before sending him off to medical school. The italics are quotes from the movie. TW for suicide.


The sound of the window sliding open brings me back. I realize I’m on my feet and looking out at the field. It looks blue. The snow and the moonlight make it seem eerie and beautiful. The cold wind on my bare skin brings a welcome sharpness, refreshing and a bit painful. I need more.
Before me lies the crown. Hours before it had held me up, lost in some frenzy of joy, Todd’s breathless smile glowing from the crowd. It didn’t even take me a second to find him in all those people. He looked so proud of me.
I was good. I was really good.
Then my father walked in and I was so sure, standing there with my arms across my chest, that his face would break into a smile and he’d give me a little bit of pride. But he couldn’t bear to let me know that I had done well. Nothing was good, to him, nothing that I could love could be good. Not the yearbook, not the acting. Not Todd.
I tune back into my body to find the crown being held in front of me, its sticks digging into my skin and my knuckles turning white. It’s painful; I need more. I set the crown on my head and the crowd flashes before my eyes, cheering, Charlie screaming on his feet, Mr Keating looking moved. Moved. I moved Mr Keating to tears. He brought me so much.
The weight of the crown is comfortable and reassuring. I never want to take it off. I can't live without it. I’m coming to realize there’s nothing left for me in the world. Nothing I won’t have to wait a lifetime for.
The thought of manuals and empty dorms and dead bodies for years to come fills me with such a rage that I can't describe. Todd could find the words. Maybe the sweaty-toothed madman has found me at last.
The cold and the panic have taken my breath away. The crown has grown uncomfortable. Everything is too much, so much, and I cannot contain the future I'm supposed to live in. I won’t even be able to say goodbye. He wants to send me off tomorrow.
I won’t even be able to say goodbye. The crown comes off and I step back and the feeling starts to come back. It hits me so hard, right in the chest, that I think I might hurl. I can’t live with this feeling for another ten years. Not for them, the two people sleeping a few feet away, not for anyone.
I’m at my door. My hand on the doorknob- the doorknob is cold. I left the window open. I look back, but don’t move. They’ll have to come in here to close the window. Good for them. I open the door.
One step. Two steps, three, four, to the top of the staircase. There is complete silence outside me, but my head screams so loudly that even a gunshot could not be heard over it.
My feet land soft and silent on the steps. Is this how Todd feels? So careful and scared? Does he live with this dread every day? I wish there was more I could have done for him.
As the floor at the end of the steps grows closer I realise the things I'm leaving behind. I promised Charlie he’d be the best man at my wedding. I promised Cameron the guys would learn to love him. I promised Stephen and Pitts that I’d buy them a cassette tape. I promised Todd- everything. I promised him everything in my mind. Never to his face.
I’m trapped.
Maybe Keating senses what’s happening. Maybe his artistic sensibility is alerting him to the dizzy hurricane pounding in my head. Maybe he’s wishing I could turn back. I have nowhere to turn back to.
The slats of the ground floor are even colder than the open window was. I stand for a moment, aware of my body, my hair against my forehead, the spot where the branches lay against my head. My cold feet, my bare chest, my pounding heart.
The shadows part ahead of me and the open study door winks in the darkness. It’s almost welcoming. I push it open and step inside. So rarely has my father let me come in here. This room is his life. It was supposed to be mine. It isn't. It won't be.
I circle to the desk and feel him, sitting night after night, working through documents and numbers and work that I don't think he enjoys. Maybe this will help him move on from that.
I sit down in his chair and almost feel his hand on my shoulder. You know much this means to your mother. Everything. It means everything.
The silhouette of the key stands out against the dark wood desk. I take it in my hand, run the sharp grooves over my fingers. The key fits perfectly into the lock. Even after all these years this desk still serves perfectly. Not for much longer, I think, I hope.
The drawer opens with a creak and I pause to listen, to stare. My heart starts to wail and still they don’t wake up. I thought part of me wanted them to wake up. It doesn’t. I slide my hand under the heavy white cloth, set it in front of me, peel it open.
Sleek and beautiful, it stares at me. I’m almost free. I wrap my steady hand around the handle, the trigger, and lift. It’s heavy and brings me fully into my body. The realization of what I’m doing is very nearby, but lingering just out of reach. Maybe it wants to see what happens if I pull the trigger.
I point my father’s gun at the study door. I could blow open this barrier between us. I point it at the window. I could destroy, express my grief, make myself heard. But exhaustion overtakes me and my hold falters. There are no more lies for me to tell myself.
One last face pops into my head, huddled into a corner with a book, staring at me desperately, needing what I tried so hard to give him. He can keep it.
I lift the gun once more, point it carefully. Settle the barrel carefully against my temple. It presses my hair against my skin. I use the barrel to push my hair out of the way and press the cold metal against the delicate spot I know is fatal. Not a shiver, not a shake in my body, and my head fills with sound.

@ElderGod-Icefire

Hnn I know this is kinda dead but I wanted a little feedback, maybe?? Anyways it feels clunky to me but I can't name why exactly. T/W for death and suicide by proxy
Also some background, bc this is literally the ending scene of the story (have I written the rest of the story? no i fucking haven't lmaoo) but anyways: Tomas is a werewolf. In the current political climate, werewolves have been discriminated against for years. There's a rebellion, which Tomas was part of at one time, but they kicked him out because he was too radical. The ends justify the means kind of guy, who doesn't shy away from killing innocents in order to kill one guilty man. He's a person made out of shades of grey and has absolutely no sense of black and white. He just doesn't care about collateral damage like at all. Anyways. Kora is fully human, and at one point he was going to kill her. She fought back, scarring his collarbone, and they've since become best friends. Tomas met Lauren, and they fell in love despite everything he's done. He married her, and she is currently pregnant. Jax and Murphy are two other friends of his. Tomas is about 26, by the way. He's been hunted for a long time now, but the net is closing and if he's caught, the government will make an example of him and use him as a reason to continue to discriminate against werewolves


They had been running and running, and they were running out of energy. Tomas twisted in his saddle, firing at the bounty hunter that was gaining on them. Too soon, his pistol gave a click, signalling it was empty, and he cursed, stuffing it back in his holster and trying to get his horse to go faster. If they couldn’t get away from this bounty hunter, then he would be brought back to the capital to face a twisted version of justice. Everyone knew werewolves didn’t get true justice, but a wolf like him? A rebel and a radical with an ocean of blood on his hands? It would be a mockery of a trial and nothing more.

His horse, exhausted, couldn’t give him any more speed. The bounty hunter’s horse was fresher and she was gaining, and Tom glanced around at his little group. Kora, Jax, and Murphy. They would be going to prison too, for aiding and abetting a criminal. Even Kora, a pure-blood human, wouldn’t walk free from this. None of them would.

"Tom!” Jax roared. The youngest of the group, Jax was in front, and his horse suddenly wheeled as he rode back to them. “It’s a dead end.”

Tom paled, glancing back at the bounty hunter. “No. It can’t be. I’ve traveled this road before.” to their left was a drop-off straight to the sea, the bottom of the cliff sharp rocks covered in a thin sheen of water. It wasn’t a survivable jump. To their right was a steep mountainside, also unclimbable.

“Landslide.” Jax replied, seeming to realize the same thing Tom had already figured out. “Shit. We’re trapped.”

Tom jerked his chin in a sharp nod. They rounded a bend, and they all yanked back on the reins as they came to the landslide. Tom stared up at it, amber eyes flickering shut as he realized there was no way they could all climb it fast enough to escape. He swallowed, wheeling his horse to watch the oncoming rider.

"Get off the horses.” he ordered, getting off of his own and leading it over to the mountainside, tying the reins to a bush. “We’ll face her on foot.”

The other three obeyed, before gathering near him.

"Is this a last stand?” Murphy asked, white-faced. “Are we going to die?”

Tom pressed his lips together. “Maybe.” he didn’t want to discourage the others, but…they wouldn’t all make it out alive. That simply wasn’t possible. He checked his pockets, then swore. He was out of ammunition completely, not just in the pistol. He pulled the useless weapon from the holster, holding it in his left hand and his knife in his right. “We’re going to lure her in. Get her off the horse and get in close. Those pistols aren't of any use if we’re too close.”

They gathered, spreading out as the bounty hunter rode up and slowed, her pistols drawn and her horse prancing nervously. “Tomas Selvar?” she asked, eyes finding him.

He inclined his head, and spread his lips, flashing sharp canines. “Yeah, that’s me. Come on off that horse, miss hunter.”

She narrowed her eyes, eyes flickering to where he held his gun like a club, and a laugh tore from her. “Out of ammunition? Tomas Selvar, the revolutionary, radical, murderer, out of ammunition?”

He tipped his chin up, but didn’t speak. He didn’t need to. She knew that he was out.

She climbed off the horse, letting go of the reins as it headed over to be with theirs, a herd instinct taking over. Also, he scared a lot of horses, because they didn’t like the scent of wolf. “Tomas Selvar, you’re under arrest for murder, incitement of insurrection, threats, and…other things.”

He curled his lip. “What, you don’t even know everything I need to be arrested for?” he asked, taking a step closer to her.

She raised her pistols, pointing them both square at his chest. “I know enough, you filthy fucking dog.” she snarled.

He growled, taking another step. “You aren’t going to shoot me. You know why?” he paused for a moment, lips curling in a mocking smile. “Because that bounty pays less if you bring me in dead. They want me alive.”

She shifted her aim. “You don’t need two working legs, Selvar. Not for the bounty.”

He went still, tipping his head at her. His eyes found Kora, where she had been creeping around the bounty hunter’s side, and his chin twitched in a nod. She leapt forward, grabbing the pistols and yanking them upwards. Both went off, the bullets sailing harmlessly into the air. At the same moment, Tomas charged, leaping at the bounty hunter and raising his club of a pistol, slamming the butt of it down onto her skull. Once, twice, three times, until she fell to the ground with blood streaming from her temple. He stood over her, chest rising and falling with harsh breaths, face twisted in rage.

"Tom, did you kill her?” Kora asked, and he looked over at her. He shook his head faintly.

"She’s unconscious. I think.” he replied, stepping back. He didn’t care if she was dead or not, but he knew Kora did. Sure, most of the time he didn’t care, but Kora had softened him a little. He still killed, but he was a little more careful not to kill without reason now. Not, he thought, that that mattered for long. He could heard the faraway clatter of more horses, and knew that they were done for.

He brushed a hand against the wedding ring that hung from a chain around his neck, thinking of Lauren and their child, yet to be born. “Kora.” he said, holding out the bounty hunter’s pistol to her. He was exhausted from running and fighting, his arms shaky and tired, his legs unable to support him for too long. “I can’t…I need you to shoot me.”

She had already taken the pistol, but drew back, eyes round in horror. “What? Tomas, no.” she said, shaking her head again. “No, no. We can still…”

"We can’t.” he breathed. “You know that. There are too many coming. I want…if I die in a shootout, Lauren won’t get…she won’t get anything. If they take me away, I…I can’t rot in their prison, and I refuse to let them make an example out of me. Please, Kora. If you shoot me, my face will still be…recognizable, and no one will be able to claim that it’s not really me. If I shoot myself, my head will be so mangled that…” he trailed off.

Kora shook her head again. He could see tears pricking at her eyes. “Tomas, Tomas, please don’t make me do this.”

"You have the steadiest hands,” he whispered. “And I trust you.” he took a step closer to her, lifting the barrel of the gun and pressing it to his temple, leaning into it as he met her gaze. “Please, Kora. Tell Lauren that…tell Lauren that I love her, and…and tell her to tell our child the truth about me. What I did. Who I was.”

Kora was trembling, but she held the gun, finger hovering near the trigger. “Please, Tomas. I can’t. You’re my best friend and I love you, please.”

His mouth quirked faintly. “You wouldn’t have said that a year ago.” he thought of the scar that arched along his collarbone, where she had tried to kill him. In her defense, he had tried to kill her first.

She let out a sound that was half sob, half laugh. “A year ago, we hated each other’s guts.”

He nodded faintly, the gun still resting against his temple. “Yeah.” he could hear the hoofbeats coming closer, and he swallowed. “Please, Kora. Do it. It’s okay. It’s okay. Please.”

Tears ran down her cheeks. “No, no, Tomas, Tomas.”

"Please,” he whispered. “It’s okay. I love you, Kora. Please. I don’t want to die at their hands. It’s okay.” he kept looking her in the eyes, gaze soft and trusting, amber eyes clear.

She sniffled faintly, rubbing her eyes with the heel of one of her hands, before it returned to steadying the pistol. The cool metal pressed harder against his temple. “I’ll tell Lauren.” she breathed. “I’m so sorry, Tom.” he kept looking her in the eyes as she cocked the pistol. He saw her finger twitch, and before he had time to process what it meant, the world went black.

@wordlesswriter

@Icefire
How come my writing is so much worse than everyone on here's?! T . T SO GOOD. You skillfully displayed the two characters past and relation smoothly and had such beautiful description with the events, settings, likewise. I would go through it once more if you are going to use this for something, and just see if you can find improved ways to say things that will add to the story. An example might be… "…he thought of the scar that arched along his collarbone, where she had tried to kill him…" to "he thought of the scar that arched along his collarbone, the very spot where she had struck what seemed like so long ago." ack that's no good but I hope you get what I mean. Little details can improve so much.

@ElderGod-Icefire

dngkbsjb thank you! Yeah, little details are probably what's tripping me up. It just…feels clunky to me for some reasom? Maybe it's because I haven't written the rest of the story yet and so it has nowhere to go lmao

@ninja_violinist

@izzyandviolins
first of all I really love the lore and worldbuilding you manage to pack into realtively short space!! especially the fates one feels so?? rich and creative and full of background, just from the bit we got to read, which is really cool! Your writing style also has a lyrical and contemplative quality, which really fits to the subject matter - like "my hope began to rise. Silencing it, and sending it tumbling back to the ground again, I opened my eyes without looking back."
One thing to maybe keep an eye on is pacing/timing - the ending of the Fate one can feel a bit abrupt, switching from past to present pretty quickly within the same paragraph. generally I'd recommend having such big time jumps in a new paragraph.
but yeah. These were really cool to read, thanks so much for sharing!

@Yamatsu
whoa the style here is really intense and I'm here for it!! It feels like an introduction to a huge epic of sorts, and the prose matches that perfectly! The listing of "song, oration, the crunch of gravel beneath horse hooves, the explosions of distant, dying stars, all of these things are made possible through my god" especially stands out!
I did notice that the first paragraph feels slightly disconnected from the other two? I can't quite tell if it's the same narrator, but I'm assuming that's more due to my lack of context than anything else.
I really love this overall!! very cool concept, very nice execution, thanks for sharing!!

@amber_is_in_a_loop
this is just. wow. super super well constructed, with a great mastery of tenses and flashbacks and general pacing. but like. the motif of the crown??? the exact choice of details in description that give such a specific sense of tone and atmosphere?? the structure that reflects the desperation in the narration??? the repetition of "everything"? I'm unwell
minor minor nitpick, I'm really reaching here, but "I tune back into my body to find the crown being held in front of me, its sticks digging into my skin and my knuckles turning white" feels slightly awkward if I squint? like I totally get what you're saying, but it might work better reworded?
but yeah this is. really really well-done, thank you for letting us read it!!

@Icefire
oooh I really love this!!! the tension builds up very nicely, with excellent pacing and a nice variation in sentence structure. the dialogue feels super intense and gives enough away without feeling like an exposition dump. so generally this is really well-crafted!!
Honestly I'm not seeing much clunkiness myself? but some things you could maybe try are: a) adding some more transition words like as, therefore, because, but, etc. as a way of further connecting thoughts and paragraphs with each other or b) finding a motif, phrase, or structure to repeat or c) reviewing how sequential things are - do effects generally follow causes? if that's the case, where could you switch up the order to emphasise certain details even more?
of course that's all subjective and stuff like repetition can also depend on stuff that comes before and after, so you can see if any of that works for you. but in general this is really great, thanks so much for sharing!!

@ninja_violinist

and prompts!

music: Edward Walton's Sibelius from this year's Menuhin competition!!


image: "Bubble Bunny Underworld" by Sylvia Ritter


words: from "Dear Dr. Frankenstein" by Jericho Brown

I, too, know the science of building men
Out of fragments in little light
Where I'll be damned if lightning don't

Strike as I forget one
May have a thief's thumb,

Another, a murderer's arm,
And watch the men I've made leave
Like an idea I meant to write down

@ElderGod-Icefire

@Icefire
oooh I really love this!!! the tension builds up very nicely, with excellent pacing and a nice variation in sentence structure. the dialogue feels super intense and gives enough away without feeling like an exposition dump. so generally this is really well-crafted!!
Honestly I'm not seeing much clunkiness myself? but some things you could maybe try are: a) adding some more transition words like as, therefore, because, but, etc. as a way of further connecting thoughts and paragraphs with each other or b) finding a motif, phrase, or structure to repeat or c) reviewing how sequential things are - do effects generally follow causes? if that's the case, where could you switch up the order to emphasise certain details even more?
of course that's all subjective and stuff like repetition can also depend on stuff that comes before and after, so you can see if any of that works for you. but in general this is really great, thanks so much for sharing!!

Thank you!! Yeah I see what you mean, thank you!

@saor_illust school

@izzyandviolins
first of all I really love the lore and worldbuilding you manage to pack into realtively short space!! especially the fates one feels so?? rich and creative and full of background, just from the bit we got to read, which is really cool! Your writing style also has a lyrical and contemplative quality, which really fits to the subject matter - like "my hope began to rise. Silencing it, and sending it tumbling back to the ground again, I opened my eyes without looking back."
One thing to maybe keep an eye on is pacing/timing - the ending of the Fate one can feel a bit abrupt, switching from past to present pretty quickly within the same paragraph. generally I'd recommend having such big time jumps in a new paragraph.
but yeah. These were really cool to read, thanks so much for sharing!

eee thank youuuu

@saor_illust school

I stared in awe at the underground cave with its black rabbits, each wearing its own bubble helmet. Really, it was more of an underground river, simply with an aboveground entrance and a tall ceiling. Lilypads of all sizes dotted the water, red coral lined the edges of the river where it touched the cave's sides, and seaweed and barnacles littered the sides of the cave all the way up to the top. Some of the rabbits leapt from lilypad to lilypad, while others sat and seemed to watch the scenery with friends or family. Others, still, flew into the air riding the glowing jellyfish that lit up the whole cave as if it were daytime.

A loud honking startled me out of my thoughts, and I blinked once before glancing down at my feet where the noise had come from. Oh – it was my traveling companion, who I'd named Raven. "Alright, alright, I'm coming, I'm coming," I told them, smiling at the cute lil rabbit that sat at my feet.

I looked up to see the path ahead of me, and gazed longingly at the glowing white door that awaited me in the distance. "I guess that's our way out of here, huh? No more guessing around what awaits us next or what we're allowed to eat and drink, back up to the surface we go… hopefully," I said to Raven, starting to walk again. "I'm sorry that we had to leave your home so soon, though. It's truly a beautiful place. If you have friends or family here, though, do you want to say hi to them before we go?"

Raven stared at me and growled, clearly annoyed.

"…I'll take that as a no, then."

I sighed once, before picking up my pace a bit. "Well, if there's no reason for us to linger, let's go then – to the surface we come!"

uhmmmm
yes
idfk what i just wrote but yea
a bit of forced inspiration but yee